The Jameses Gun seems to hate superheroes earlier. You can see this in several of his early movies. The fact that he is now the master of the whole, completely serious superhero universe-led by his film "Superman" on AV-Shax feels strange. The man made it clear at 180 degrees to turn from his unclean, youthful impulses to deconstruction and accepted the seriousness of a superhero with a post -war superhero that may not recognize the young Gun.

Case in point: in 2000, when writer/director Jameseims Gunn was still on the rise, he wrote Craig Mazin's low-budget superhero-comedy "Special", The Church of Thomas Haden, Rob Lowe, Jameimi Kennedy, Palzet Brucer and Yudi Greer is starring. Gun and his brother John also appeared in the film. The title team for the superhero on their vacation followed, when there was no crime to fight and there are no foil supervisors. Specials all had superpowers, but they looked unnoticed in civil life, regardless of blue skin energy. Everyone discussed banal, personal topics, dealing with their personal relationships and financial difficulties. One of them, Wavill, even thinks he leaves specials for a superhero team with better funding.

Gun breaks down the conventions of a "special" superhero, showing ultra-bitches not as noble fighters for righteousness or even self-serious buddies, transmitted by guilt, but usually speaks, not very intelligent every people infected with recognizable daily passion, greed. They would fight crime if the situation called it, but they were, back in the base, just as small as you or me.

And the "specialists" are not the only case of Hun heroes to climb them into pieces. At least three of his films are about how to be a superhero is scary in practice. However, something switched to the road, and Gun changed his tune. Maybe that was the success of the Guardians of the Galaxy that turned him from a satirist into a company of company.

Can also recall the Gun's movie "Super" in 2011, "Super", His second characteristic as a director. In that film, Rhein Wilson starred in Frank, a sad, excluded Fry Cook whose wife recently left for a charismatic drug dealer and strip club owner. Frank is depressed and is only comforted in the low -budget Christian superhero show called "Holy Agent". From blue (quite literally), Frank meets God, who removes the skull and directly touches the brain. Frank becomes convinced that he should be a superhero, and stitch his own suit, calling himself redness. He arms himself with a heavy metal monkey key and takes to the streets.

However, "super" points out that attracting people to the key with a key is a bloody, terrible thing to do, even in the context of vigil. "Super" also points out that superheroes are not motivated by righteousness, but with a combination of rage, sadness and maybe a little sexual fetish; His coach Bolti, played by Eliot Page, is excited by superhero costumes and wants to use vigil violence to return to former boys. "Super" is a gloomy, sad tragedy on how superheroes are a sad escape from our sad lives. And the director will continue to do "Superman?" It is a very strange change in ethos for Gun.

Four years after "Super", Gun wrote and directed "Galaxy Guardians", a PG-13 scientific thriller for Marvel Studios, which was one part satire up to nine parts CGI-acting corporate. Of course, there is cynical humor of the "guardians", and of course there is an absurdity to make a film featuring a bitter, biting, violent raccoon, but Gun clearly pulled out its edges. The "guards" referred to a dysfunctional group of accidents that became a little functionally found family. The bitterness of films like "Special" and "Super" began to fall on the road.

Gun's new ethos for making "little irrelevant" superhero films has brought him huge commercial success. He made two additional feature films "The Guardians of the Galaxy", as well as Christmas for Christmas "guardians". Mixed in the middle of those films was "Suicide Squad", another movie about the supervisors who teamed up well. The "squad", however, was more interested in exploring the relative, emotional sincerity of the character, pointing out that damaged people are capable of ransom. Although the film was violent and ranked with R, there was disarmament, non-satirical quality, with the purpose of the hearts of the audience, not their middle fingers.

The fact that Gun made a completely direct film "Superman" is increasingly confusing in the light of David Jarovski's Britburn, a 2019 horror film that was produced by Gun and written by his brother Brian and his cousin Mark. Britburn was for a young boy named Brandon (Acksehson A. Dan) who reveals that he has Superman -like authority, including flight, impermeability and eye lasers. Just like Superman, Brandon is raised on a small farm in Kansas, but his life is wrapped by poverty, and his childhood destroyed by harassment. When 12-year-old Brandon finds out that he has powers, He sees no reason not to become a retaliating monsterkilling those who made a mistake.

Although Gun has not written or did not direct Britburn, he has clearly signed the idea that Superman, in the real world, will quickly become a villain. The energy is spoiled, it seems that Gun is said, and Superman would be the most plane of all of them.

Now, just six years later, Gun has returned to play directly with Superman. He lost anger, cynicism. Emotional sincerity and commercial security seemed to have served her career better, and he is probably matured as a human being, of course. However, it is wild to think that Gun so dramatically shed the punk -carpet coat and traded it with a suit and tie.

Superman is now in cinemas.