Movie critics watch hundreds of films every year, and it always becomes a little wonderful when they hit a fake film sticker. So, it is occasionally therapeutic to remove someone's frustrations on a movie that is frivolously strictly - especially if that film is from a serial carrier of China (I think I announced 12 blissful sleeping hours after I filed my pan Paul W.'s "death race" Anderson ").

Unwanted negative examinations are not often illuminated, but when written by craft masters, They can be immensely satisfying readings. When the Newujorcher Pauline Kael got burying in the saddle, she could be found in length (as she did with Don Siegel's "Dirty Harry". Film I respect) or release a murder of one sentence (her full overview of Herbert Ross's "Steel Magnolia" was published as follows: "Cracking chalk through the two -hour board"). Roger Ebert was also practiced in an investment skill as he demonstrated in his epic discouragement At the "Little Indian, Big City" by Herveve Palud ("I humiliated every moronic minute").

Ebert's negative reviews were so entertaining that he posted a collection of them titled "I hated him, hated, hated this movie." Read the title to cover it, and probably won't last long for Ebert to take Shilelag to a movie you like, and even Loveube (he starts the Tomer with "Ace Ventura: Five Detective" and, four records later, inexplicable tears in Louis. But the book would be dull if he was just cat with low heights, so you care for his teeth and keep reading until he crashes the movie you really don't get upset.

And a film that was richly credited with Vitriol of Ebert, was a clumsy erotic scientific 1980/Horror, starring Kirk Douglas and directed by the man who gave us "Single" of the rain. "

When Saturn 3 collapsed in theaters on February 15, 1980, it was immediately made as the rhythm of Ridley Scott's "Alien". Director Stanley Donen claims that the idea for the film was preceded by Alien, which I buy because I don't know how you could see that classic and think "What would actually be daunting of sour Xenomorph is a killer robot that wants to have sex with Shara Fauett." I mean, that would be scary for Mr Fautt. And her then spouse Lee Malliers. And now I think about how better Saturn 3 would be if they penetrate the $ 6 million killer robot.

"Saturn 3" Starswells Douglas and Foutt as a couple of research station scientists orbiting Saturn. They expect Captain Jameseims' arrival from one of the larger space stations, but are instead visited by Captain Benson (Harvey Kitel), a psychopath who killed the Jamesimes and is now barely a hammer to get Douglas's image from the picture so he can have the image. Benson also brought together a robot named Hectorthat is equipped with brain tissue by human fetuses. What Douglas and Foutt do not understand is that Hector's awareness is synchronized with Benson, so what he wants, he wants. And Hector is a much thicker customer than Benson.

A Starweight Review of Ebert at Saturn 3 It begins with regrets that science fiction films rarely possess the intelligence of the many great novels of the genre. He ridicules the film to force Douglas and Foutt's smart characters to behave idiotic (they set a trap for Hector that all guarantees his own deaths), and lies with the Lord Grade and Castner ITC production team. While Ebert gives them credit to give us "Muppet Movie", he properly notices that quality control is not very concerned about them (they also pampered such turkeys as "Lonely Ranger legend," Escape in Athens "and Lee Malli's vehicle).

Ebert begins the last paragraph of his overview: "This film is incredibly stupid, totally impossible from a scientific view and shameful waste of money." Although Ebert's work was not the forecast of box office (in fact, he won the spread of box office coverage, brought from "Fun Tonight" in the early 1980s, he was right for Saturn 3 as a bad investment. The film continued to encourage a $ 5 million coat against a $ 10 million budget. If it's worth watching today, it's about the spectacle that causes Ankan Hector's Gafav, Kiel speaking with the voice of actor Roy Dotis (which he called his dialogue when the Starwear "Medium Streets" refused to participate in the loop after the production), and the then 64-year-old doubles.

Result one for Ebert at "Saturn 3." It's a terrible movie. And he will break out the brass-brass four years later, when Done again conquered with ultra-gas sex comedy "Blame it on Rio."