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If you are a fan of Christopher Nolan, you probably know that his first movie wasn't actually "Memento", the innovative crime thriller that proved to be Nolan's directorial breakthrough (much to the director's surprise). The British director's first project is usually referred to as "the next" in 1998, which he self -financed and recorded using guerrilla tactics in and around London. Although they were a little harsh around the edges, that 16mm Neo-Noar showed all the lines of Nolan's future films, including a non-linear narrative that would become a defined feature of the director's oblique as it developed. As such, the "next" is a convenient first film for the director, providing fans to inspect how his style of film work began. Except, it was not Nolan's first film.

To be sure, "Following" was a directorial debut of Nolan, but he made a few short films before-from which one became something legendary among the movie's super-fans to be impossible to watch. Although it did not completely shift to the territory of lost media, this film is, according to Newoux Times"The movie Christopher Nolan doesn't want to see it." What exactly is this lost project Nolan, and why is he against someone who sees him? Well, how with all things Nolan - including his "start" scenario - it's all a bit complex.

In 1996, Christopher Nolan debuted his short film "Larzenia" at the Cambridge Film Festival. This will be the first and only time he was shown to the public audience, as well as that day, "Larqueni" is kept under lock and key.

Like the "next", the eight-minute film was filmed on a 16mm black and white film, while Nolan was part of the London University College Film Society. Before "Larceny", which was filmed in a weekend in Nolan's own apartment, the young director contributed a short film "Tarantella" in an episode of the "Image image" TV series back in 1990. This early effort was similarly lost until the Internet sleuths found it. Also, Nolan's three -minute short "Doodlebug" in 1997 can also be seen online, and even included in the edition of the "Next" criterion. Nolan even directed a short documentary in 2015 for the animators, the quay of the brothersthat is freely available. "Larcens", however, remains unattainable, much about the anxiety of fans who want to finish Nolan's film.

Short collaborations with several people who will become frequent Nolan collaborators, including David Julan, who secured the film's music and continued to work with "Memento", "Insomnia" and "Prestige" - three of Nolan's best movies. Leading actor, Ereeremi Theobald, also starred in the "next". In Darren Muni "Christopher Nolan: A Critical Study on Movies", " Theobald briefly talked about "Larqueni", boasting the script as unique. "This was witty," he said. "It was funny, it was pies, and it was dark. There was a big turn in the end." Further details are rare, but Nolan's fans have managed to gather a few insights through the years they have spent in search of a copy of "Larqueni".

We know the story of "Larqueni" includes an apartment burglary in which the homeowner actually faces the intruder during his breakthrough. In an interview with Empire magazine, Ereeremi Theobald revealed this for the plot: "One man breaks into an apartment, stunning the occupier (I). They argue about the new" burglar "girl who comes to get his job. Then the third man broke out of the cupboard. "In Interview Conducted after the "Next" was announced, Christopher Nolan himself referred to the short as a "8-minute burglary film filmed in B&B at 16mm" and revealed that it costs £ 200. Otherwise, very few people can claim that they know a lot about the film, whose copies are said to exist, but none of them have been released.

Why Nolan - who is currently working on his adaptation to "Odyssey" - It keeps "Larqueni" under the wrappers, because the initial display remains as mysterious as the film itself. Assistant Director of the Short, Nigel Cartaries, told Newoux Times"Chris is a very controlled artist, a controlled director. He does not want to release it is just another sequel to that." In "Christopher Nolan: Critical Study of the Movies", Ereeremi Theobald continued to say, "I think Chris thought it was too similar to the" next ", that people would think it was a test bed for" the following ".

However, Nolan's refusal to reconsider "Larqueni" in any form has frustrated and intriguing fans (if Letterboxd Comments all you have to go away). Does Nolan plan to use the concept of a short film for a full movie, or is he just trying to keep people not watching a project that may not be everything a retrospective fondent? Perhaps one day, "Larks" will appear and fans will be able to finish Nolan's film. For the time being, however, this remains a required piece of the lost media in the middle of the director's oblique.