The characteristic Red Plymouth of Oshosh Holovei led his last Radador. "Duster", the series set by the 1970s by creators Jey Abrams and Latoja Morgan, focusing on escape driver Jimim Ellis, caught in a crime union, and FBI agent Nina Chase (Rachel Hilson) was officially canceled by HBO MAX (Rachel Hilson).before Max, who used to be before HBO MAX - it was a whole job) Before the dust, he even settled in last week's final of the season. The play marked a long -awaited reunion between Holovej and Abrams, both working together on the hit series ABC "Lost", as well as the first Abrams Abrams project from "Starwalks War: The rise of Skywalker" hit theaters in 2019. Abrams' official contract and his production company "Bad Robot" with HBO with HBO Announced as early as 2020. High profile services in that agreement include Likes of Kneng Spin-off "oversight", "dark justice for justice" and the wildly expensive "Demimond".

The cancellation of "Duster", published by The deadlineReset that opposes all the way back to zero ... and, unfortunately, the news comes as a little surprise for those who follow them carefully. Even the show's fans will have to admit that, despite the fantastic acting ensemble and a well -written story, he struggled to get a lot of traction with the general audience. Anecdotal, any mention of the show between (due to a lack of better word) "norms" were usually encountered with empty aresovas or a surprise that they would never hear about this production before. As it turns out, this is exactly what led to her death. The report lists his bad performance both Luminate and Nielsen Ratings, with the show eventually not surviving its flag viewership.

The worst part of all this, of course, is that Duster has just started. Season 1 recounted his story, showing the awkward alliance between Ellis and Chase during their attempts to find the truth behind a couple of killings that hit too close to home, respectively. What Abrams and Morgan intended to come next, however, would be nothing less than the appointment.

Oh, what could have been. In an alternative universe, Duster ended up on flying high on the power of her "lost" appeal And justified several return visits to this beautifully pronounced crime drama set in the US southwest in the 1970s. As far as car enthusiasts can appreciate the pure horse force on the screen between the red Duster of Jimim Ellis and Baby Blue Plymouth Belvedere II of Nina Chase (for more mega -mega -mega, non -megaes, Check the wide deep diving of writer Priscilla Page in Hagerty), those were the colorful characters and a twist with a twist that kept the viewers to return. During his debut season, Duster followed the FBI agent, Chase as the first black woman of the agency during her attractive search to bring crime chief Ezra Saxston (perfectly patched Keith David) to the face of justice for her father's murder. Fortunately, her ideal "in" organized criminal surgery is just going to be Jimim Ellis, a low -level driver whose brother died under mysterious circumstances while working for Saxston. Convinced that there is more about this than responding to the eye, Ellis is stunningly converted to Chase's trusted informant and the couple tried to find the truth.

As far as this setting has prompted the main narrative drive for the season, the final goes away to use the new story that will really start things in the saturation. During their investigations, Ellis and Chase entered the sidelines of the current conspiracies, which include no one other than rich and paranoid plugs Howard Hughes (scenery mixed by Tom Nelis), Richard Frecking Nixon (Paul Wilson), and eventually missing the heart. And if that wasn't enough to keep us occupied? Like any good show of Jey Abrams, the final throws a big blow to us, revealing that Jimim's deceased brother, whose shadow is so great during the comprehensive story, is actually alive - and that he is more important in world affairs than he could have imagined.

Best of all, however, the season ends with the implicit promise of one -off enemies Ellis and Chase joining properly to reach the bottom of, well, well, everything. This dynamics is what has built the whole show, and it's crying shame that we will never see this partnership - or the overall series - in line with that potential. We will only have to imagine what "Duster" could have been.