It's hard to convey how much excitement there were about Christopher Nolan's "finishing" Leading to its publication in 2010. The mysterious marketing campaign, the vague trailers for hangers ... all pointed out a Chinese event that would take the culture of storm - and did it. Nolan certainly benefited from critical recognition of his previous film "Dark Knight". Add it to Leonardo DiCaprio, called Ensemble and Matrix Concept-and you had a huge hit on your hands.

While the film trailers are well remembered (largely thanks to that musical "Bwahhhh" who is quickly infiltrated in all future trailers forever), a piece of marketing that is led to "Inception" is lost on time, and unfortunately, that is the highest deed. Before the film came out, the fans were treated on a retraining comic titled "Inception: Cobol Job", which features the voice talents of the right team. It was a cold teasing of what was supposed to come, with stylish art and some interesting details about the film world. Unfortunately, today, there is no official way to see.

You can technically find versions of the Internet if you look hard enough, but the comic strip was initially hosted on the official Inception website, which has long been unstable. The story, however, remains iOsubocity for fans.

Dedicated Inception fans will recognize the name Coblet, as many play in the film's initial act. Cobol Engineering is a company that hired Cob (DiCaprio) and Aurtur (Josephosef Gordon-Levit) for their initial work to extraction the Proclus Global work they see at the beginning of the film. Saito (Ken Watanabe), the man who target him during that draw in the film, ends up recruiting them for greater work to start.

"Cobol Job" details the lead of that sequence for opening actions, in which Cob, Arthur and architect Nash (Lucas Hass) are engaged by Cobol Engineering to direct the chief engineer of the Kaneda. They make a whole dream in the comic book, but the project they were engaged in stealing information ends up slightly above Kaneda's salary, and extradition goes south when it fails to provide them with Intel they are looking for. The comic strip ends with them, realizing that he must directly target Saito, head of the company.

It was also made a second comic, entitled "Inception: The Big Fund", showing the next step in the story. He explores Saito's character in more detail than the film does, revealing that he is well acquainted with dream sharing and uses technology for recreational purposes. "The Great Under" also explains how the crew could perfectly imitate one of Saito's real flats in the dream world to deceive him, though in the film, he eventually reveals rosy because the carpet is the wrong material.

Inception's dream sharing technology is a fantastic concept, and the comic book prologue shows how much it affects the larger world. Of course, there are mentions during the film for CEOs to be trained to protect their subconscious and certain people to become technology dependent, but the story is so focused down on its specific thriller nail polish that not much time spends exploring the edges of that larger world.

Part of what is so fun for these comics of movement - and why it is so shame that it is almost impossible to find - is that they explore some of the major consequences of the world where this type of technology is widely available.

Christopher Nolan has made extensions beforeBut only in the case of Batman. It is unlikely that we will ever get appropriate tracking The end of "beginning" Given all other projects that the director seems to be interested in these days, but it is certainly fun to consider other stories and opportunities.