The nearest Andrzej żushavski became the name of the household was when his only horror in English, "possession", was available to be transferred to Suder in 2023. This suddenly in the spotlight drew fans The cult classic horror was remedied with Robert Pattinson attached as a producer. The journey of "possessing" from almost a lost film to its fairly recent 4K restoration is inspiring because it has helped to strengthen the cultural relevance of żushavski as a director who has remained faithful to his uncompromising vision to the end.

As uncomfortable as personally and intense as "possession"It is also the most affordable thing of żushavski. Everything else that he obsessively made-from the avant-garde "The third part of the night" to the erotic "Shamanka"-was forbidden by the Polish government or remained criminally neglected since the publication. The theme of state intervention is an integral part of żushavski's career, as he began in his second characteristic ("Theavol) of 1972" and tormented him until he could move to France to create his own terms. His "Silver Globe" was such a takeover during the time he had to fight state censorship, leading to thematic mutated, semi-complex EP-EP. However wears markers of art brilliance.

While the film's production took place between 1976 and 1977, it was abruptly interrupted by the Polish authorities, leading to delayed release in its unfinished form in Cannes in 1988. While the film was considered 80% complete in 1977, most of them were destroyed by the government, although some of the unfinished revs managed to survive. At the end of 1985, żushavski reshaped part of the story, while adding a voice to fill the missing pieces. However, this rush, the film quilt the film defies every step of every step, seeking our attention with its disturbing atmosphere and stunning interpretation of the genre.

The "Silver Globe" begins with a prologue set in the distant future. Here, two researchers relying in a desert landscape is approaching a horse driver who teaches them an object that apparently fell from the sky. This item, called a small transmission module, contains the video of an astronaut whose craft crashed 60 years ago, placing the scene for the events of the film. We are immediately private for the consequences of the accident, where astronauts land on an unnamed planet and decide to settle on the seashore to restore the human race. To date, if you have already made predictions about what will happen, be prepared to be amazed at the epic story that takes place with strange visions of the very nature of existence.

This unnamed planet is coming out, not a planet at all, but the moon. Since this group begins to settle the moon, they realize that fast -growing moons (which are different from those born on earth) are indifferent to the established cultures and traditions of the earth. This new sect finds its religion, taking the inspiration of the reduction of pagan customs, which allows żushavi to craft the most sincerely absurd visual visuals, which are seasoned with a sense of foretelling. This is an experimental work of art through and through, where the story is revealed through the medium, despite the dialog that clearly contextualizes everything (Similar to the experimental scientific anime as "Serial Experiments Line" Or "Texhnolyze", which take the "show, do not say" the exciting and bizarre extremes).

The political stimulus of the "Silver Globe" is safely woven into its DNA, which partly explains why the Polish government was so extreme in its decline, and so much hell bent over to erase the existence of the film. But żushavi persisted, pieces together everything left ten years later, even when there was little pleasure in presenting such a wave, a fragmented narrative for the world. Some scenes remain censored, with footage shown at the top of what should remain hidden. Instead of looking stupid, these scenes feel innate disturbing, as if we are on the verge of discovering something forbidden, but never.

If even one person ends up looking for a "silver globe" after reading this, it approaches żushavi closer to validation and understood as a director. This is the "Duna" of żushavski, only prematurely exhausted before we reach the point when the misunderstanding young boy took over the controversial Massa mantle and headed for immediate death.