In 2005 But that was not the only villain playing that summer. In fact, some may even say that he was not the best villain he played that summer. Released just two months after "Batman starts" hit theaters, "red eye", a non -characteristic cerebral thriller from the horror icon of Wes Craven, starred Murphy as a pattern and a manipulative killer.

In Red Eye, Murphy plays Acksexon Ripner (don't let it deter you from watching), a nice stranger to the Red Flight Board to Miami, who is also going to host Lisa Resert (Rachel McDady), a hotel manager who flies. The couple soon found themselves sitting together on the plane, which seems to be perfectly charming Roma-coming cute. But things are quickly calculated when it is revealed that Acksexon is part of a conspiracy to kill the head of domestic security and needs Lisa to help him do it. To force the hotel's director to exchange the official home number of the official home in her hotel, he kidnapped Lisa's father (Brian Cox), encouraging a game with cats and mice between the two that makes them "Red Eye" study, a solid thriller from the late, great Craven.

The director may be best known for his slabs as a "nightmare on Elm Street" and "screaming", but with "red eye" he has changed the gears a little, delivering a tight psychological thriller that, for many fans of the late horror maestro, is easy one of one of the The best movies on Wes Craven. Now, the Netflix generation has been given the chance to rethink it, or perhaps for the first time experience, this unbeaten gem-and seem to love it.

As most will know, Silian Murphy's profile has received a huge incentive in recent years thanks to his Oscar's performance as a titular physicist at Oppenheimer. I hope, this has prompted some viewers to look deeper into the film's film, which is filled with neglected gems like "Red Eye" - a movie that even managed to make /film on its own list of Best films by Cilian Murphy. Now, the thriller has hit Netflix, and is experiencing the whole new generation for the first time. Moreover, if the performance of the table so far is all that needs to be done, these new viewers seem to be impressed.

"Red Eye" debuted on Netflix on July 1, 2025, and it was not long for Strimmer subscribers to find it constantly expanding the "content" of the platform. According to FlixpatrolA page that follows the figures of streaming viewership, the film managed to break the table of the top 10 films of the United States on July 2 when it struck the number eight, before disappearing from the rankings the next day. But on July 5, she returned, Table 10 before falling to the nine the next day and keeping up strongly at the same place during writing.

For now, the film is sitting behind the film of Superhero by Charlize Theron "The Old Keeper" at 2020 ... /The movie Chris Evangelist called that film "Immortal Rodle that spends a great premise", The "red eye" should at least be strong if they do not acquire earth.

Netflix tables do not always serve the most intriguing films and shows, but "Red Eye" is one of those films that deserve Netflix's renaissance. Not only did $ 96.6 million On the $ 26 million budget and get critical praise after the initial publication, but it is also more influential than you think. Only earlier this year, Director "Drop" Christopher Landon even managed to pay tribute to Craven And his underestimated horror-triller by penetrating his film with much of what made the "red eye" so great-especially with both films primarily that took place in one location.

If you are still not convinced, consider the "red eye" to have a very respectable 80% Rotten tomatoesAnd unlike some films whose positive RT results are made up of more lukewarm views that have fallen into the excessively simplistic "fresh" and "spoiled" binary, "fresh" "red eye" reviews are very complimentary.

Scott Tobias of the AV Club wrote: "If the construction of a thriller can be compared to a house building, then the" red eye "of Wes Craven is a perfect piece of architecture." "It depends on the precise bothering of physical details and continuity of the moment, so tightly calibrated that it is impossible to find a consumable shot or excessive emotion." Steven Hunter of the Washington Post, meanwhile, called the film "Holidly Focused", making it remembered "not so much of today's inflated, computer-spoiled films, but stricter melodramas from the 50's". Netflix graphs may not always be the best guide "what to look at" then, but you can't really go wrong with a "red eye".