Dino de Laurentis was a vital figure in the evolution of images with movement. Without the Italian tycoon, we may not have "La Suffer" by Federico Fellini and "Nights of Cabaria", which probably means that it would not be Fellini, given that the two films were basically put on the map of the World Cinema. He also strengthened the careers of David Lynch, David Cronenberg and Michael Mann. Although there was no art bone in his body, he risked coming up and what, basically, film production was like he shot nonsense.

The man didn't know art, but he knew what he wanted. And when it comes to throwing the leading lady in one of his heavy Chinese bets, as a remake of King Kong's big budget in 1976, he knew he wanted a plate. Since this film was virtually guaranteed a blockbuster (set to publish one year after The "jaws" surpassed "the wind" As the highest film was made), De Laurentis was supposed to see every starting starter during production. He was looking for the next Jay Wray when a recent Schale Theater Graduate School, Meryl Streep, entered his office. Majesty crossed his threshold, but he didn't see the next Jay Wray.

During the performance of "Show Graham Norton", "" " Comic recalled: "He had this incredible office that looked all over Manhattan." Her awe turned to horror quickly, however, when De Laurentis insulted her in a language she had to think she didn't understand.

As Comic said to Norton, "I got in and his son was sitting there, very excited to bring her to this new actress. And the father told his son in Italian, because I understand the Italian, he said," CHE. "

The role went to another world class, The actor coming to Jesica LangeAnd that almost killed her career. Fortunately, Paulin Kael at Yorkujorker realized that Lange understood the task and compared Lange's performance with the work of the Carol Lombard screwdriver. As for a comic bookShe won her first Oscar three years later and did pretty good for herself in the meantime.