The Film in 1974 "Murder of Orient Express" It was the first film adaptation of Agatha Christie's beloved novel of 1934 with the same name, and was also perhaps the best of them. The film has earned more than 10 times more than its budget at the box office, and in the years that have become a gold standard for the film's adaptations. It seemed that no one had bad to say about the film, except, of course, for Agatha Christie herself.

"It was well done except for one mistake," Christie Reportedly said. "It was Albert Jenny like my detective Hercule Poar.

Looking back, it's hard to argue with this criticism. Feni's mustaches in this film are respectable, for sure, but not impressive enough to adhere to the average viewer, let alone impressive enough to call themselves the best mustache throughout England. Jenny did for a nice lighter, but his mustache should be at least twice as large and twice as much. It should be big enough to bring a smile to the viewer's face when they see it for the first time. It should spark a conversation between viewers as they leave the theater. Maybe Director Sidney Lumer He wanted to keep the story based, but the mustaches of the post should always be greater than life.

I don't know what Agatha Christie would think of the new films of the Poor, directed by Kenneth Branag, but she would undoubtedly approve that mustache. The mustaches of the piercing are the one that immediately brings out some light gigs from the audience during its first appearance in every theater I have seen. It is a mustache that insists on itself, as well as any good mustache of the pm.

The face of the face of the focus is so impressive that you may be surprised when you discover that there are people there (total squares, I guess) who do not want it. Those viewers should listen to a defense explanation for this: in A. Press Interview for Orient Express, He explained how he was aware of Christie's disappointment with Feni mustaches and agreed that the mustache were a key aspect of the image of the Poor:

"The lighter could, as he did, and he knows that this is the case, he uses the mustaches as a mask. He is hiding behind it. He makes it out of it, and people are fired because of it. She gets a great reaction. It's a reaction that means, as Daisy Ridley's character in the novel, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, With that strong mustache.

The defense understood that the mustache was not a fun of the image of the lighter; It is his secret weapon, something that makes his suspects feel comfortable enough to think they can overcome it. Defend films may not be the most loyal Since the adaptations of the lighter when it comes to the literal plot, but they have always remained loyal to the source material for what is most important.