This article contains spoilers for "Renaissance of the World of Jurassic".

Many directors have managed to leave their unique stamp on all film numbers, but few have held just as much a stronghold of a single creature by Steven Spielberg with dinosaurs. "Jurassic Park" in 1993, built on the previous incarnations of these prehistoric ASTSVERS in films as Harry O.'s "Lost World". Hoyt, "King Kong" and "One Million Years BC", by technology wizard, we are still trying to regain them. The mix of practical effects and innovative jumps in computer -generated images helped to establish a world where the dinosaurs were these beautiful, frightening and most importantly, tangible creatures. Stan Winston, Phil Tipet and talented people in ILM seemed to use these extinct forces of nature out of time.

As for the universal, they essentially claimed the final dinosaurs on the screen to which each of its heirs would be compared. Jura Park was probably one -off, but leaving so much money and the potential of the table is too attractive to pass. The best you could hope for in terms of sequel ideas is to find similar ways to highlight these wonderful Dino's creations against creative stories and characters. Each subsequent Jura installment shows how everyone seemed to have learned the wrong lessons from Spielberg's seismic blockbuster.

Every film "Jura" is more interested in presenting a larger, bad series of prehistoric beings that are almost lost in the mix. By the time we reach the "Jurassic" rebrand, this tired feeling of people who are not interested in dinosaurs as before. At this point, the Jurassic series has been removed from Spielberg's only magic that is practically unrecognizable. Now it's a collection of films with monsters and that's good. "Jurassic Park III" is the best sequel because it descends the saying to try to regain Spielberg's magic of the original and commit to being a 90 -minute creature feature.

"The Reconsed of the World of Jurassic Edward" is in an interesting position where he wants to return to the simple excitement of the original film, while still attracting the general audience with a good hook. In this case, the dinosaurs of this island are not only more than the same, but the rejections left by the now non -existent corporation ing. The previous films "Jura World", to some extent, have already shown us an overview of this practice with genetically altered hybrids such as Indominus Rex and Indorator. In "Renaissance", however, these are not just gene sprayers, but the mutant creations that are considered the worst of the worst. If the "Jurassic" series will continue to lose, they can also become strange and freaky with dinosaurs, but this latest entrance somehow manages to fall on that front.

The "Revival" goes down to a promising, yet incredibly stupid start, as we find out that the unusual Ingen has taken another island in Ile-Saint-Hubert as another test terrain. The marketing apartment lies with saying this is where the rejects of the original Jurassic Park were left behind. However, given the time logistics, page C is a more experimental dinosaur center that will eventually be transferred to the Jurassic World. The island will be visited by a group of Black mercenaries of the OPS, led by Scarlett Johansson's dawn on behalf of a pharmaceutical expedition to extract three blood samples that can lead to rooting heart disease.

In the opening of "Renaissance", We are familiar with the leader Mutant Dinosaur that is on all posters with Distortus Rex. A evergreen moronic engineering scientist manages to make the whole island operation using makeup for makeup in the machine, causing all operations to be sealed. From behind the glass, it is clear that the wrapped D-Rex figure is above every "Jurassic" creature we have ever seen. This tasting clearly sets Dr. Rex as a big bad on the film, but Dino just disappointingly returns to the quarrel with less than 15 minutes.

Part of what makes the "rebirth" such a colossal disappointment is that such a intertwined parogue on a nostalgia bait and supported characters. You go for so long without a D-Rex that by the time it shows, the excitement factor is drawn from the whole experience, making it only another an obstacle to breaking. Once we see what MD-Rex looks like in full fame, it's a little more than Rangan transplanted to the T-Rex body, which is just not enough to sell the "worst of the worst" corner.

There is another mutant perspective called Mutadon, which is a mixture of Pterosaurus and beam. Given how previous films "Jura the World" neutralized the Fear of Fear with Raptors, it makes sense that giving the opportunity to fly sounds like a frightening concept. Unfortunately, Mutadon is just as much disappointment, if not more. Gete get a look at it during the back half of the film that descends on regular raptors who sneak on their prey. But instead of gathering them with their own personality, their large piece is reduced to recreating the raptors in the kitchen piece of "Jurassic Park", but instead on the island 7-11.

The problem with both of these mutants is that they are not very frightening or attractive film monsters. It seems that "rebirth" is afraid to go to the crazy scientist and leave these things out of climbing, And let alone those who actually pose any credible threat to their ensemble. What is even more disappointing is that they are all overshadowed by the most beloved creature in the series "Without Modification".

In the first two films "Jurassic Park", no dinosaur holds a crown to the T-Rex, which hits fear in the hearts of anyone who encounters its way. However, when we reach "Jurassic Park III", it is taken out of a brazen spinosaur, which flips its crown as part of the first act of welcome to the subversion. The Jurassic World films can come up with various hybrids to detonate it, but by the end, Mom T-Rex establishes its dominance with ease. The "Revival" was the perfect opportunity to make her look like a relic from the past with the arrival of D-Rex and various other mutants, yet the most effective sequence of the film is with the queen of the dinosaurs.

"Rebirth" makes an admirable attempt to recreate the raft sequence from Michael Creekton's original novel "Jurassic Park", and it is the most impressive piece set because the captured Delgado family should quietly avoid Titan before waking up. The film version sees that the T-Rex comes out of her nap and chases this family in a series of rapids, with the worst moment when the young Isabella (Adrina Miranda) trapped under her, while those jaws threaten to use it. I actually thought this would actually allow a child to die in one of these, and then I remembered being a movie "Jura". Even so, all this sequence calls into question the need to maintain more "dangerous" dinosaurs when it still holds all its daunting power.

The closest "rebirth" ever comes to a mutant dinosaur that actually inspires some kind of awe with Titanosaurus and their long and fast tails, even if they are present only on stage that is obviously torn from the movie '93. Edwards seemed to have a natural fit in the Jurassic series, given how well he managed to convey a great sense of volume with Godzilla in 2014. But the "rebirth" contains very little of his strongest attributes as a director.

"Rebirth Jurassic World Rebirth" is now playing in cinemas all over the country.