When Quentin Tarantino appeared at the scene with "Tank Dogs" in 1992, he Proudly carried its effects on the sleeve. Tarantino is as much a student on the screen as the creator of film about it, married to the Chinese language of violence in the films for exploitation and martial arts by writing the characters for high-art, American authorism. All trademarks of Tarantino's filmmaking were exhibited in his debut function, such as eclectic soundtracks, nonlinear storytelling stories and buckets of blood. Even before the movie is released, Hollywood legends like Don Bone were confused by the brilliance of the screen From the first time director.

Tarantino made a crime thriller, but instead of being related to the group gathered to commit the crime in the culmination, it focused on the consequences when six people working under pseudonyms -M -Wite (Harvey Kiqel), Mr. Orange (Tim Roth), Mr. After them, after police sat the robbery.

As an audience, we learn a lot about these six men watching how they respond to this paranoid, intense situation and it is almost immediately clear that Mr -Blosokosa is dangerously unnoticed. So, until he has a police officer tied and begins to bother him for fun, we are already on a big warning. We know that he is capable of something for nothing, but the fear lies in graphic images, but a confused acceptance that Mr -Blonsond will cut off the man's ear, without even raising his heart rate, all set the melody of the "State Wheel" song in 1972.

The frightening effectiveness of the stage lies in a wonderful way Madsen dances around the room as he prepares to cut the ear of officer Marvin Nash, played fantastic from the frequent associate of Tarantino Kirk Balz. The Moriva humble that moves sharply with the barbarism that he will release. Every second only reinforces the awkward dissonance on the screen, which Tarantino is happy to arm against the audience.

The SEO song paired with sadistic violence enters something deeply disturbing. Is not just what is happening, it's How It happens, and Tarantino smartly pushes our imaginations into a saturation by pulling the camera from Mr -Blonda as he cut his ear. We do not see the special effects that meet the gaps and are forced to visualize them for ourselves. He makes us an active participant in torture, a decision that even anxious horror legends like Wes Craven and Rick Baker.

Thematic, "tank dogs" is an examination of the illusion of control and the performance of masculinity, both of them Well On the screen in Madsen's performance. There is something so frightening by accident about how he approaches his butching. His relaxed lane looks more like a dad at wedding reception than a cold -blooded criminal, keeping the film so grounded in reality that viewers are struggling to set the safe Wallid at "This is not real", as predicted by horror films. Tarantino took over the repulsion of the "Singin" sequence in the rain by Clock Orange and gave him an middle string for the 1990s. In turn, Mr -Blosokosa laid the foundations For Patrick Batman in "American Psycho", And now viewers know they never believe in a happy song if it's a soundtrack for a man with a blade in his hand.