This Monster Netflix movie with 90% of rotten tomatoes is a mandatory overview for Godzilla's fans

Fans of Kayyu's films are always looking for new giant films for monsters to make their day, and fortunately, this is a great time to follow this genre. Apart from the stable outcome of Japan of amazing films such as the Exalted "Godzilla minus one" by Takashi Jamazaki, other countries have been significantly increasing their game in recent decades. Hollywood has long recovered from Roland Emerich's "Godzilla" in 1998 that it was so terrible that "Godzilla: The final wars" gave the Toh's humiliating second death in the fight against Real Godzilla. Between Matt Reeves 'Cloverfield, Matt Reeves' Pacific Rimb The current franchise of the legendary picturesTinstown has established itself as a reliable hotspot of Kaigu fun, and in 2006, Korean director Luminar Bong Oonun Hoe of "Parasite" and "Snowyer" One of the biggest films for monsters ever made, the host.

However, there is always market space for another really great film for monsters, especially the one with a truly unique premise. Fortunately, Netflix has exactly what it offers. Godzilla fans should absolutely check the Norwegian monster of Roar Utaug in 2022 "Troll", diving deep into the ancient Norwegian mythology for massive trolls living deep in the mountains of the Earth ... and carries it in the modern era. The film boasts an impressive 90% of the tomatometer Rotten tomatoesAnd with "Troll 2" scheduled to arrive on December 1, 2025, this is the perfect time to attack this smart, Nordic taking over the genre of Kaiiu.

Trolls are virtually unused source of horror kaiyu

Of course, the trolls are very connected to the fantasy genre, but they have made the occasional look in films that are not exclusively for swords and magic. Probably, the most prominent "serious" troll film in recent years is the "Border" in 2018, Ali Abasi's Swedish film about Tina (Eva Melander), a very strange customs officer who reveals an unexpected Dushal in an unusual unusual (Eero Milonoff) and learns some of the very surprising. However, on the monster's giant film, the trolls are relatively insufficiently used. One example that comes to mind is another Norwegian offer. Relatively cruel but charming finding the film "Troll Hunter" in 2011 (from "The Last Journey of Demeter" director Andre Ƙvredal has numerous threats of trolls of all shapes and sizes, including a very massive mountain troll.

Netflix's "troll", on the other hand, focuses exclusively on the great man, and as such is a better watch for a full fan of Kaidi. It goes through all the well -known monsters, but the huge infusion of very real Norwegian fixation with troll mythology keeps things fresh. The forthcoming arrival of "Troll 2" is enough proof that the formula is a success ... and until I would set the impressive mountain troll of the first film against the king of monsters, the primary, "walking the mountain" threat that makes people a very worthy giant monster.



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