One day, assuming we are not extinct until then, future film historians will be able to view the Jurassic franchise and tabny a fairly clear trajectory of film study in the studio during thirty -unusual years of fit and begins. As a fossil perfectly preserved in Amber, Steven Spielberg's classic in 1993 was highlighted as one of the elite few that helped defined summer blockbusters in the first place. What followed over the next few decades, in strict contrast, would be a number of attempts to recreate the same magic of increasingly reduced yields. Despite the apparent setting of the sequel, the "Lost World: The Jurassic Park" brazenly returned to another island drawn into a dinosaur, retroactively crowded in the canon. Chapeso Johnonton then approached the B-movie for Jura Park III for an adventurous blow, which was transferred to production without a final scenario. And as for the films "Jurassic World", well, let's say you don't need a doctor in paleontology to find out how those inflated monstros show the worst of modern recording.

In that light, it is both appropriate and crazy that "Jurassic World's Birth" turns into a monster of Frankenstein, on the seemingly every previous installment composed. Caught between raising the pieces after Trilogy-Capper-Capper with "Dominance" ladder And counterfeiting a new franchise path, this only becomes the latest in the unique trend of the 2020s "missing" missing in the evolutionary large budget brand extensions, which simply cannot stand on their two (Air, four?) Foot. At some level, it is understandable. Havee must browse away and widely to find someone on the planet left untouched by the original Jurassic Park and the frightening long shade that throws it. But according to the same ones, at what point we finally recognize the awkward titanosaurus in the room and make a joint effort to do something, you know, new?

Most complementary And The aspect of "Renaissance" is that it is approaching most of its predecessors to withdraw it ... but not exactly. Compared to high highs and low drops of all previous films (somehow, That infamous talker about talking from "Jurassic Park III" represents both at the same time. To put it in more generous terms, this confiscated approach feels like the perfect response to a story that was not as much as it was flying from the rails, as it destroyed the entire roller coaster and the surrounding theme park of orbit. "Revival" keeps things simple, stupid, unlike - and almost a mistake. Where leaves us with a series with Cart Blanche Take things in any number of directions? After all, this characteristic of the creature shoots for the sky and ends stuck in the mud ... though not for the sake of an attempt.

Five years after the events of the previous film, "Jura World Re -Birth" begins with a thinking act of opening, which mostly resembles a broccoli that feeds the audience's strength so they can reach dessert. After the prologue with horror, which feels like the theory of Murphy's law and the chaos, as if it were crumbling to create a great, ugly, mutant Dino-Mrest, we are familiar with the Rupert company on the farm, Man Martin Krebs. Probably the worst of the worst human antagonist from Dennis Nedri in the original (Martin Shkrelli through Elon Musk), he reinforces the paid Zora Bennett (eternally stoic and almost impressively uninterrupted Scarlett Johansson) at the mission of life. A possible cure for heart disease is within reach, although only if Krebs researchers can get the hands of DNA belonging to three ancient creatures living in a narrow range of environments that can occur near the equator: long neck titanosaur by land, terrible mosaurus

This simple placement, the courtesy of the Jura Park screenwriter David Kop, is both a gift and a curse for "rebirth". The good news? Director Gareth Edwards quickly proves himself as the first and last line of defense, bringing his usually a magnificent sense of scale and intuitive understanding of visual effects, so wonderful at the 2014 "Godesila" exhibition and "Rogue One: A Star Wars Story". Under the constant hands of Edwards and Photography Director Johnon Matiyson ("Gladiator", "Kingdom of the Sky", "Logan"), this can at least boast richer coloring, cinema and dynamic visual than everything we have seen from the property since the last time Spielberg was sitting. Setting the action in the conditions of three completely different biomes works wonders, giving Edwards, the trick team, and the production design has a great opportunity to set up all kinds of aircraft tiles before crashing them. And, most impressive, "re -birth" has Only Enough of the middle string and ruthlessly kills to give children to give a horror horror to the size of a horror-not too different from what Spielberg ever did for us. Between the three main pieces, Sequence of the raft river that really makes T-Rex frightening againAnd the riffe of the raptors in the sequence of the kitchen from the original, has a lot to immerse your teeth in (unfortunately intended) here.

And now for the bad news. Not all well -made activities in the world cannot make up for some of the narrowest paper protagonists that you will ever come across a mainstream movie. I Suppose You can describe the different souls that are served as a Dino-food through "Rebirth" as "characters", but only in the widest possible terms. Even as we follow our main team of mercenaries traveling to the island, it is already a fatal flaw that feels like making whale's whale hunters in "Avatar: Water Water" in the good guys, the second story takes place in the center of the divorced father Ruben (Manuel Garci). Audrina Miranda as a young Isabella (ending to hang out with the cute baby Dino named Dolores, scattered all over the marketing) and Luna Blaz, as Teresa makes an attractive trio with their distant father, but frequent intrusions of lazy and worn -out hacks. You want his death at every step of the road, believe me.

What is frustrating is that, for all the disadvantages of Rebirth, they would be easy enough to neglect if only the script trusted the audience enough to handle a film that did not constantly make us think about the various "Jurassic" sequels. Whenever we seem to be placed in the idiosyncratic rhythm and the tone of this sequel, which feels like a deliberate (and refreshing) turning back to adventurous films in the early 2000s, we are affected by almost incessant references or screams and knots of the films that came before. No, nothing is almost so disgusting as to see our old trio of original characters forced into action as in "Dominion", but "mirror objects" chops, characteristic red fires and shameless recreations of the famous signs of Johnon Williams. Take the Premise of "The Lost World," Mix It With the (Relative) Minimalism of "Jurassic World III," and Add a Heaping Dose of the Forgettable Humans from "Jurassic World," and It Can Help Feel Feel Like Like Like Like Like Like Like Like Like Like "Rebirth" Itself resembles the mutadons or d-rex-a mutant created in a lab derived from other, occassionally Better ideas.

It is also a shame, too, because the ingredients were there for a unique dino -flick as we saw since the Spanish director Bayona inspired the idea of ​​turning things into a haunted house of horrors Two -thirds of the road to the "fallen kingdom". The stunning result of Alexandre Deplat and almost a tribal-musical result is a fantastic franchise supplement, as well as a few sight-sighted and visual hand tricks that Gareth Edwards deploys into a "killer effect". Elsewhere, you can practically feel the "rebirth" to oppose the limitations of the blockbuster movie these days. The dialogue feels too fat and fast fire in half, even when Edwards tries to try to allow certain times time and space to breathe. Unfortunately, the brightest example of this comes when the pilot of Zora and the Duncan Ship (Mahershala Ali) ties to their common trauma early, Ah, literally cites their common trauma. What little arcs get our main heroes come from the cynical dawn and the idealistic paleontologist Dr -Henry Lomis (Athonatan Bailey) who scattered what to do with invaluable DNA: Take it to their pharmaceutical dominance to make the world's "open source". In addition, do not expect many substances from this film with popcorn.

As is so often the case, your expectations will eventually dictate your answer. On paper, the "Jurassic" sequel pays tribute to the "jaws" and "Indiana Onesons" from the director of "Godzilla" feels like nothing less than victory. And, according to his loan, Edwards immediately injects "Re -birth" with a sense of stakes and tension that the whole trilogy struggled to portray. But every time the plot begins again the script of writer David Kop will pass through the movements of the standard film "Jurassic", those dizzy peaks soon begin to level in the overgrown valleys. For those who simply hope for a movie that can be seen on the heels of the catastrophic "dominance", your desire is given by safe rehabilizing stabbed by several original excitement. For all other iousubopitic on whether this is a ticket to learning old dinos new tricks? The inherent boundaries of IP Jurassic are just as dazzling as always.

/Movie rating: 5.5 out of 10

"Rebirth Reprotriction Jurassic" hits theaters on July 2, 2025.