Milos Forman's "Amadeus" can be cleaned at the Oscars while Ghostbusters dominated the box office, but for me, 1984 is best remembered as a vintage year for cult films. For beginners, "this is the spinal fountain" was one of the most famous films of all time, and there was more musical madness with Val Kilmer Cheat Elvis in "Top Secret!" And Walter Hill's rock and roll, the "streets of fire". Elsewhere, Emilio Estevez was on the track of UFO Chevy Malibu at Repo Mann, while the trim gave us an alternative superhero for the centuries in the "toxic Avenanger". The list continues, but probably the strangest of the group was "the adventures of Bakaru Banzai during the 8th dimension", an adventure for science-fi acting starring Peter Weller, which is just as absurd and inventive as his title suggests.

The attempt to briefly present the plot of the film is a challenge worthy of the best writers of flash -fantasy. Dr. Banzai finds himself caught in a conflict between inter-dimensional foreigners, after piloting a jet-car capable of passing solid matter through the 8th dimension thanks to his "oscillation overthrow". This quantum area is inhabited by wicked aliens called red lecturoids of planet 10, closed by relatively benign black lecturoids. Meanwhile, Banzai's non -mean, Dr -Emilio Lisardo (Johnon Litgov) owned the evil leader of the creatures during a similar experiment as early as 1938, and he plans to steal the council and release his friends. This detailed the black lectures, which give Banzai and the ultimatum gang: prevent the lizard plan or they will activate World War II.

This wild story comes from the vibrant imagination of Earl Mac Rauch, who drew the attention of a Hollywood screenwriter, Acting Richter in the mid-1970s, thanks to his unconventional debut roman, "Dirty Matura Pictures". The couple started collecting a project for a multi-talented hero that included elements of science fiction, Kung-Fu and West. They needed a decade to finally detain "Buckaroo Banzai" on the screen, but their efforts were welcomed with confusion as the film descended hard at the box office. But it's an explosion for cult film fans and right now Check it for free on Pluto TV.

Getting the "Adventures of Bukaru Banzai" on the screen was a long and complicated process, and did not help his writer's living approach to collect the script. Initially he paid 1,500 USD from the richter and his wife to write a script, Earl McNa -Rauch was enthusiastically started in a hero's story (originally called "Bakaru Bundy") before leaving and starting with another concept. With his own reception, Rauch threw about 12 scenarios that had tricky ideas, including a giant robot and a Hitler cigarette box.

In the meantime, Richter built its reputation in Hollywood, especially writing the excellent 1978 version of "Invasion of Body Grabers" (one A remake of science that is better than the original) and receiving an Oscar for his scenario "Brubaker". In 1979, Richter teamed up with Neil Canton (who will later produce "Back to the Future" trilogy) to form their own production company. Richter has decided that "Bakaru Banzai" will be the perfect project for him to make his debut as a director, but the couple realizes that they will need a completed script if they have a chance to use the studio to collect cash on relative unknowns. It meant to return Rauch behind the typewriter and actually finish something.

That something was a new adventure by Buffaro Banzai, dubbed "Saturn's Lepers", and was supposed to end the script by 1982. It was only in time for the American writers to call a strike and close Hollywood. Finally, the project was funded by Fox, which handed over to Richter a nice initial budget of $ 12 million. Three more drafts would still last before the cameras with a working scenario, not to mention Tome of 300 pages, called "Essential Korparo" as a kind of reference book containing all the Oreubov Rauch had previously experienced. "Bukaru Banzai" was finally a picture, but the production was hampered by the presence of producer David Belman, who did not get it at all and repeatedly mixed (Richter called it "our enemy for the whole film"). However, for Begelman's loan, he was responsible for the sequence of the joyful end of loans with Bukaru and his friends walking along the La River.

Synopsis for "Adventures of Bakaru Banzai" does not make complete justice for the experience of what it actually sees. On the surface, it is a science science comedy with the famous middle-budget film grain in the mid-80s, but has an attitude and style that sets it apart. The key to the left field of the film is Peter Weller's play as Buffar Banzai. Weller's approach to finding his character was appropriate unconventional, drawing from Elia Kazan's diverse likes, Albert Einstein, Quesak Kusto, Leonardo da Vinci and Adam Ant as inspiration.

Weller's insincere zen mystic like Banzai ("no matter where you go, there") is wonderful opposition from the performance of Johnon Litgov's extremely stockmakers as D -Emilio Lisardo, who goes great with his shame Italian accent and bizarre manner. They are supported by the colorful accompanying team, including Clinical Brown and Luis Smith as members of Hong Kong Cavaliers; Ellen Barkin as an unusual LOVEBOODER interest in Bukaru; And Christopher Lloyd as foreign walking by the name Johnon Bigboot (pronounced "great prey"), because all red lecturoids are called Johnon. Last but not least, Effef Goldblum is another neurosurgeon who wants to be called "Newoo Jerseyers" and wears cowboy clothes. His unusual acting technique fits perfectly here, and Buckaroo Banzai definitely descends as one of The best movies of Effef Goldblum.

"The Adventures of Bukaru Banzai" rejoic in their own quiet and the unusual tone makes it totally understandable why some viewers just wouldn't get it. The film is taken at least semi-serious (there are not many fully jokes or screams on the camera), but many of Gufier's elements play like a live cartoon, I was surprised to discover that it was not based on a comic when I first saw it. If the film has guilt, it is that it becomes a little repetitive in the last act when it engages in a slightly more convenient film on science. But the first hour is an absolute engine, because we immerse yourself in the wild self-world of Banzai and his friends and it's a super-style tremor, also in A magazine in Los Angeles Like "the moment he cooled Gatez". If it sounds like your jam, you can level it now on Pluto TV.