Samuel L. Acksexon is not just one of the most prolific actors around, but he is also one of the most beloved. Before Dwayne Nsonson tried to turn into a "franchise Viagra", Acksexon actually helped build the properties of the ground as part of so much that he became the highest actor of all time. His arrival as Nick Hurry in the "Ironeles Man" helped to set the decade -long pop cultural dominance of Marvel's film universe, and it was all Because Marvel Comics used the person without permission. Of course, Acksexon is more than an ordinary blockbuster machine, also starring in many valued films with the lower budget, directorial films (ranging from Pulp Fiction to "do the right thing").

Part of Acksecson's appeal is that it appears everywhere. He is a working actor who is not afraid to neutralize his big budget spins and roles of prestige with fun films like "Snakes on the Aircraft" or the XXX films-not to mention his loveube to anime. (He is the voice of Afro Samurai.) First of all, Acksexon is a man who loves movies and also wants campaigns for "what if it is" When he insists on Mace Windu to survive his fall From the building of the sky in "Starwalks War: Episode III-Dencry of SIT" and tells everyone in the Lucasfilm who will hear it.

This is to say, it is never surprising to discover that Acksexon was in a movie. Indeed, if something was filmed with a camera, there is a director and can actually be considered a movie, the chances of it acting in it. Earlier in his career, Acksecson managed to appear in one of Horror's highest sequels around: "Exorcist III".

After the monumental, success in the game of the original film "Exorcist" (a movie so popular It actually caused a bizarre tourist attraction In the middle of the war in real life), the sequel made the perfect sense. Unfortunately, "Exorcist II: Hetka" was a disaster. Far from a worthy follow -up by director William Friedkin and "exorcist" novelist William Peter Bliti, the original horror classic, the film proved to be a messy, formal monitoring for the demon Pazuzu just returned to terrorize a little older. In fact, the film's reception was so bad that it lasted 13 years for another sequel to take place from the ground.

However, at that moment, Blitty announced "Legion", a horror novel that began as a movie script he hoped to do with Friedkin. In the end, the film version of "Legion" (which white wrote and directed), instead, was re -set as the third chapter in the film series "Exorcist", with Blati forcing to include elements of "exorcist", adding an exorcism scene and Retlet of all the work "Exorcist III" (something he begged the studio supporters not to do). However, despite all this, it is still quite well taken on its own and it is great to be the one who called on the footage.

This finally brings us to the short arrival of Acksexone, which takes place during a bizarre sequence in which the Lieutenant of George F. Scott, William F. Kindderman, has a very strange dream. In him, he sees a friend of his priest, who referred to the tarot cards from anyone other than the angel of death (played by Patrick Ebing - yes, as in the NBA legend). As if it was not strange enough and sufficiently bordering, the scene has performances by Tommy Dorsey, and even Fabio as an angel.

Meanwhile, Acksexone can be seen playing the sleeping man, who is shown sitting next to the radio because he and another spirit are trying to communicate with the living. "Ivingi are deaf!" The character of Acksexone can be heard as he says.

"Exorcist III" traded the metaphysical nonsense of "heretic" for the mystery of the occult murder, with a great focus on the dialogue (that and again, a sniping scene in exorcism at the end of the end). The story is followed by Kindderman, a detective with an unusual Loveube to the films, as he explores a series of dark killings in and around Ororghestown - murders that bring in mind the awkward manual work of the deceased serial killer. However, as the investigation continues, Kindderman begins to wonder if the devil himself is involved in these killings.

What you end is slow burning of a horror movie that feels like the predecessor of David Fincher's "seven" procedural horrors. The film also manages to bring lateral characters from the original "exorcist" in a way that avoids you feel too trick-y and instead meets as a natural expansion of this universe. Not to mention, it can boast What is absolutely one of the worst jumps in all cinema.

Brad even, surprisingly, great as the twin killer in the heart of the mystery of film murder, blurring the line between mankind and the supernatural horror in exciting and surprising ways. However, because of Bro's creative differences with film producers, however, The end is strongly contested by fans (Although there is an alternative reduction in film that has some massive changes).