The day of the verdict is an untidy mutilation in this sequel “Bad Direct Camp”

When Blumhouse and Universal Released "M3Gan" in the world in 2022No one could predict the sensation that would become. Well, no one RightThat is. Queir audiences looked at that "titanium"-killing a murder doll and said, "Mother". Her elleveli performance of the box office made the way for the inevitable sequel, and the house that built Bloom double, if not triple Downstairs, the catering to the biggest fanbase of M3Gan, leading to the announcement of the sequel. The M3Gan dancers' army appeared at the Western Hollywood pride parade in early June, the trailer used "Ops!

But in an attempt to regain lightning in a bottle of first film, walking Complete "T2: Day of verdict" By upgrading the M3Gan to the hero he had to save the day to face the autonomous logistics of military engagement and infiltration, Android known as Amelia (Ivana Saco) and a shameless stagnation for the Peder audience, the "M3Gan 2.0" Chucks Horror Trops drops the window and the 1990s. As a continuation "M3GAN" ... I'm not sure it works. As a movie deeply inspired by crazy action thrillers from the early 1990s, who played an advertising US network in the middle of the afternoon throughout the day? They are rocks, but its dedication to style will certainly catch people the wrong way. I couldn't be me, yet!

Where M3Gan fell into the world of an unintentional camp, "M3Gan 2.0" inhabits the world of a bad direct camp. The logic of the film? Suspicious at best. Performs? Dialogue vehicles that exist only to explain the plot louder. The moments were intended to inspire the adhesions and "Yaaas Queens" from the audience? So ham, they could be baked from honey. Those who hope for a real sequel to horror will surely be disappointed, but there is a lot of fun to find the messy mutilation of M3Gan.

M3GAN 2.0 is a bad direct camp, for better and worse

Set Two Years After the Artificially Intelligent Companion Robot M3GAN (AMIE Donald, Voice by Jenna Davis) Went Rogue and Tried to Destroy Anyone Who Threatened Her Relationship with Young Cady (Violet McGraw) - McGraw. Including Cady's Aunt Gemma (Allison Williams), The Brilliant Inventor Who Created M3GAN - Gemma Learns That The Underlying Tech for M3Gan was stolen and used by a Powerful Defense ContraCtor Amelia to be used as the ultimate spy for killer infiltration. Unfortunately, Amelia's AI's AI is progressing faster than everyone imagined, and depends on Gemma, Kadi, M3Gan and Gemma's business partners, Tess (Enen Van Eps) and Cole (Brian Jordandan Alvarez) to stop Amelia before taking over the world.

Where the villain of "M3Gan" was a titular character, "M3Gan 2.0" is a technobabel cluster and the wrongly targeted villain. Should we be afraid of Amelia? Should we be afraid of the incompetent government? Should we be afraid of the new, pretentious, pretentious, anti-ai pundit guy? Should we be afraid of funny Skeevy Tech billionaire with the least subtle name ever, Alton Apleton (EMAIMAMIN Clement)? Should we be afraid of M3Gan itself? Should we be afraid of the extra under the tips I don't mention, because it's a huge spoiler? In an attempt to say everything about technology, war, capitalism and connecting trauma to robots, the film ends up as if it were a mid -sentence buffer; But by doing nothing else ChoosingThe sequel inadvertently imitates its own relationship with AI - it moves too fast and feels impossible to feel the weight of each new part of the information as a whole. Throws so many ideas on the screen that even when the narrative is not calculated (how hiding M3GAN can design an underground bunker, complete with domestic decor and framed portraits, but somehow there is no power to build a new body?), You are almost too blinded by the chaos.

In Bruce Labrus Camp notesHe acknowledged that the subversive, inherently countercultural artistic expression known as "Camp" was appropriated, fetished and commodated by the mainstream - the spirit of extravagance and the theater exaggeration of aesthetics, humor and sensitivity are still very obvious. These films, known as "Bad Straight Camp", boast of deliberately crafted art in the camp, which can still calm the general audience. Movies like "Twilight", Baz Lurman's film and any action movie starring someone like Arnold Schwarzenegger or Steven Sigal, all live in the same cinema-de-Sack as "M3GAN 2.0". It is consciously additionally, visually maximistic and emotionally shallow - but it is also a kind of point. Whether it is a brilliant satire or a hot chaos depends entirely on your tolerance for nonsense packed with actions, genre-lags and queens of AI with revenge on their motherboards.

The more M3GAN 2.0 doesn't work, the more things ... somehow?

The original "M3GAN" did not feel like it was designed for virality - that's exactly was Viral. But "M3GAN 2.0?" She knows she's seen. The Kaddy's school locker containing a poster of Steven Sigal, M3Gan dancing like a fan robot, the fact that she slides into the wings of the high rock, singing "The Work of This Woman's Woman" by Kate Bush (work of this woman "(this woman's work" (work of this woman "(work of thisHonestly, blind), and its spitting lines like "Hold on your vaginas" Everyone feels like they were specifically involved to end up in a dump with photos by the name @Cinefilemeslayer69 at the weekend opening. No matter how funny they are, they feel authorized. Where the camp of the first film felt spontaneously, as he stumbled and landed in the Mem form, the chaos of this sequel feels more calculated. It doesn't have to be a bad way, but you can feel the fingers of the pulse studio. And oddly enough, obviously trying She just sought the film more, like when my mother sends me photos of her local pride parade with the title: "I'm with your people!"

However, credit where it is due: writer-director Gererrard Johnonton did not give up on the saying something On the dangers of AI, and the political narrative of the film has evolved to reflect the way real life speeds its way toward the uprising of the Ai girls' robot. Ivana Sahno plays Amelia with icy perfection, and I just wish we had more time on the screen with her character. But instead of Let's let it cook, the film catches the excessive explanation of his own logic of bonkers. Despite all my pedantic complaints, I still found hell of a lot of joy, re-entering this world and surrendering to this story of banana pants for killer robots, corrupt governments, AI nightmare scenarios and trophies of the 90's. There may be no scares, but there are some really fun fighting sequences from hand to hand between M3Gan and Amelia (and an expected fight scene with Allison Williams) and you'll never catch me complaining about it. It's funny as a movie about hell that is seriously dealing with the fences, and like other examples of a bad direct camp, I still used it all as I am a little pig's brain.

The original "M3GAN" was a towing show. "M3GAN 2.0" is a towing show where they directly hijacked Vip -Table. But since it turns well, is a respected ally and has a non-ironic appreciation for "over the law", it can remain.

/Movie rating: 6.5 out of 10

"M3GAN 2.0" opens in theaters on June 27, 2025.



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