While we continue to celebrate the 50th anniversary of the "jaws", cinema enthusiasts can be poetically pouring out the influence of the film as a godfather to the contemporary blockbuster. Adaptation of the 1975 big screen to Peter Bankley's novel by the same name not only delighted the audience and scared them to visit the beach that summer, but also served as the final card for calling for the director who would be king: Steven Spielberg. After making his long -standing debut with his television film "Duel" and his theater debut with "The Sugarland Express", "" Spielberg embarked on unexplored waters with "jaws", which was notorious difficult production for him.

"Jaws" was a cultural joning, becoming the highest film with the highest level ever at the time of its release (a record that Spielberg himself broke two more with the ET Extra-Terristal and "Jurassic Park"). Customized for inflation of ticket prices, it is the 7th highest film in history, according to My treasurer. Jaws would receive four nominations at the 48th Academy Awards, including: Best Picture (Richard D. Zanuk and David Brown, Producers), the best original result (Willion Williams), the best editing of films (Verna Shields) and the best sound (Robert L. The film lost the best picture of "One Flew Over the Cuckoo's Nest", but won every other category for which it was nominated.

But although it could appear with three Oscar wins, there were several categories where the Academy of Film Arts and Science used the film unusually.

Perhaps the most important Oscar of all of them was in the category of Best Director, where Steven Spielberg missed the ship. Since Spielberg endured one of the most tumultuous productions in Hollywood history and still managed to make a movie as attractive as he did, his beam still stabbed to this day. Spielberg not only overcame the excitement and tension of the story, especially in the most terrible sequences of the film, but also found humanity in the main characters of the film, making excellent performances by the cast.

Spielberg's cruel reaction to winning the cinemas was trapped in the film, where he expressed his belief that he was "beaten by (Federico) Fellini" for one of the nominating slots. History is clear on Steven Spielberg's side, but to play the Devil's lawyer, the best category of directors at the 48th Academy Awards has been characterized by one of the craziest rosters in the history of the ceremony: Federico Fellini for "Amarcard", "Stani Kubrick". Talk about the order of the killer.

Along with Steven Spielberg's beam, Jaws was ignored in the best adapted script category. The films nominated that year were "Barry Lindon", "The Man Who Would Be King", "Profumo Donna", "Boys of the Sun" and the winner, "one flying over the coward's nest". While "Jaws" is often discussed as a directorial achievement, one must not forget about the extraordinary scenario that was deserved to Peter Bankley, who wrote the first drafts of the script based on his book and Carl Gottlieb, who reworked during the main photo.

The Jaws script is exploring timeless topics of political corruption and capitalism that stimulates public security while also telling a human, personal story through the eyes of Martin Brody (Roy Shader). Brody's worldwide striker with his work as Amit Ayeli police chief is combined with his family life and conquers his ocean phobia plays in a characteristic human attraction to stories to overcome fear. While the audience originally gathered the theaters to see a shark killer, it was eventually the human story at the essence of the "jaws" that hung people to see it over and over.

Much of what the "jaws" did one of the most attractive 20th -century films is that, in the midst of the exciting spectacle of the killed shark of the loose, the film eventually carried the three central shows, all deserved recognition from the Academy. Roy Shader's chief, Martin Brody, serves as a protagonist of the film and audience avatar, and he is perfect every person for this story. While he deals with the stress of the shark killed, as well as with the increase in body, some of the most memorable scenes of the film are on the quieter. In one of the most gentle moments that perfectly shows Spilbergian magic, Brody rejoices at the table when his son John (Jaye Mello) imitates his actions.

Matt Houper is well revived in life by Richard Drayfus, whose opportunity and charm bring heavily weight in the darkest moments of the film. However, the highest performance of the film comes from Robert Shaw as Quint, eccentric, obsessed sharks. Quint's role in Jaws is also reserved from one of the largest character entrances and one of the most unimportant outings in Chinese history, and all of which is being sold at a show.

Roy Jader, Richard Dreyfus and Robert Show's performances have risen to legend status in the third act of "Jaws", solidifying them as one of the seminal trio in the whole cinema. The tension he penetrates while sailing on Orca is so obvious, many of which can be attributed to the real life between Drayfus and the show, whose interconnection has played perfectly in their performances. The trio's performances and experiences, shooting the "jaws" were dramatized in the original play, "Shark is broken", Who wrote the son in the real life of Shaw, Ian Show (who also played his father in the production) and Josephosef Nixon.