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In 2024 The 11-minute short, directed by Carlos Baina and written by Ulesulus Urbach, was released On the Roddenberry.x.io website On November 18, many passengers were surprised to see the presence of significant actors such as William Shatner, Gary Lockwood and Robin Curtis. Shatner and Lockwood were particularly surprising because Shatner was 93 years old but looked exactly the same way as he did In 1994, when he shot him "Old Trek: Generations". Lockwood, 88, was to look like in his 1966 "Star Trek" episode "where no one has gone before". At the end of the short, Leonard Nimoy, who died in 2015, was digitally resurrected for a brief meeting between Kirk and Spack.

"Unification" was the fourth of four such experimental digital shorts that served as a means of exploiting new technologies in order to expand the Star Trek Universe, but with avatars of original actors. The four shorts, all under the title "765874", tried to expand the established "Trek" canon in the field of fan theories and to expand novels by expanding by the use of a wise combination of footage of actions and digital recreations.

The first of the shorts occurred in 2022 when the son of Otj's CEO, Urbach and Gen Born. "Cage", the original pilot episode "Star Trek". They intended to interview actress Laurel Goodwin (who played the character Omoman Colt in Cage), but she died in February. The initial plan was for fun, really-to-day Goodwin and put it on a digital version of the Cage sets, making the interview as if it were a vintage conversation in the 1960s. They could be used by Urbach's wife, Mahe Taissa, as a model of Goodwin's economy, as the two have just happened to wear the Kani resemblance.

However, Urbach and Born Berie came out with what they thought was a fun idea. Gossiping the 1998 Star Trek comic book, called "Star Trek: Rarn Voyages", the couple came up with a short film featuring Colt's character (its officer's serial number was 765874), starring Taisa as a digital stand-in. The short -shown Colt travels through time and witnessed small parts of Star Trek history, reaching an inexpressible sense of Nirvana as a result. The idea was that Colt somehow evolved into a "striker", a creature that had an expansive, nonlinear view of history.

In the second short, called "765874 - Wallid Memory" (2022), Taissa returned to play Colt, this time visiting Star Trek: The Motion Picture. The short is spreading on the passage of the romanticization of that film, which implied that Spack's mind with the massive, comprehensive V'ger machine turned the volcano into a bent. He also had an expansive look at history.

Actor Lawrence Selek stopped for Leonard Nimoy. He wore prosthetics to match Nimoy's characteristics, and his performance was "stronger" than Otoj's team to make him look more realistic as Nimoy. (Yes, the directors were given permission from Nimoy's property to do so.) The third short in the series, "765874 - Regeneration" (2023), was extrapolated by William Shatter's novel in 1995 "The Ashes of One", where Kirk was resurrected after the events of Old Trek.

This leads us to "unification", which is a vision of Kirk's afterlife. The short was born of the frustrations of many fans of the circumstances of Kirk's death in the "generations" and Spack's death in Star Trek Beyond. Both characters never had to give their proper sending.

The shorts see Gary Mitchell using his God's forces (acquired in "where no one has gone before that") to look at the future. He sees Kirk's death. Kirk, as old as he was in "generations", wakes up in the afterlife in a garden surrounded by people. He sees Saavik (Robin Curtis) there, but she is much older than the last time we saw him in "Star Trek IV: The Voyage Home". She stands next to another volcano that we haven't seen so far, but you can intuitive to be her son, Horak (Mark Hirry). More on a horch at one point.

Kirk also encounters a mysterious stranger with gray skin in the "Next General" uniform, a character we have never seen. This is Gordon (Gordon Tarpli), a character ever mentioned in one episode of "Star Trek: Discovery". Geor is said to be one of the only people traveling from "Kelvin" (where Jey Abrams' "Star Trek" films) to the main universe "Star Trek". Yor Hands Kirk Badge on Starfleet.

The badge, in the previous short "765874", was actually Kirk, restored by Spack from Kirk's cemetery. While Spack died in Kelvin's time frame, he gave this badge to Gior. Gor, now a mysterious figure of the afterlife, only conveyed it to Kirk. It is all very mysterious, but it connects the different threads of the canon "Star Trek" in something clever way.

Then Gior seems to transport Kirk into a long and mysterious hallway, where it turns into a younger version of himself, looking as he did in the original Star Trek. (Actor Sam Witver stood for Shatner in these scenes.) Kirk, now young, sees the version of himself as he looked at "Star Trek II: Cannes' anger." Digital effects have unwanted quality but are still impressive. Kirks disappears, and Kirk of the 1994 era enters a mysterious bed on the planet's Newoo Vulcan (in the Kelvin Universe) ... where Spack lies on his deathbed. Kirk sits and holds his friend's hand as they watch the sunset. Spack probably dies with Kirk on his part. It can be assumed that Kirk was just an ethereal being in this sequence, so he was not captured in Kelvin's time frame. Chor, it seems, just allowed the two to have the last minute together, something they never had in their timeline.

I guess it's sweet enough, and he may want to accept "765874" as a canon, looking as he is done with the participation of the Born Bojri camp, the property of Nimoy and Shatner himself. Of course, if the canon is, then the character of the Horak mentioned above was really the son of Spack. In the early script for "Star Trek IV", Woulde found that Spack and Saavik had a child together, a fact that was reinforced in the novel by Joseosef Sherman and Susan Schwartz 1999 "The heart of the volcano."

The shorts "765874" are more and more experiments than legitimate film "Star Trek", though. They are ambiguities for fans and SFX Tech obsessives. At that level, they are fun.