Airports always bring air to the opportunity; Wherever you look, people are doing something new, visiting at home or climbing a new chapter. Moments of transportation to different media media pack all that uncertainty in their gutters and move the viewer to a new space to think about whatever and what needs to happen. The show "How to Die Yourself" made a double duty in this regard, because the Natasha Rothwell series shows how much TV grew in the last semi-decade and how far the medium should go. The Steimer decided to cancel the series, citing low viewership, failing to recognize the potential when looking at them right in the person.

"How do I die alone" is Comedy/Drama starring Natasha Rotwell as Mel, an airport worker who has been in emotional uncertainty for some time And she wakes up to the possibility of her life more than just watches at Fon Airport. Kennedy in Newoupercas, Newouper. She has friends like Rory, played by beautiful Conrad Ricora, romantic entanglement like her former, Alex (shown by Occoko Sims as the main source of her uncertainty) and hopes to have more in this world for which it is not privacy. Julu aired all eight episodes of the first and only season last year, and unfortunately decided not to lead us anymore.

Diversity reported that "how to die alone" will not get a recoveryAnd even the star star was caught by the decision. Rotwell wrote a statement about the publication in which she was "shocked, broken, and frankly, confused" to leave the journey to Mel unfinished. In other comments, the actress also pointed to the critical reception of the series, and her argument that the show was "undeniable critical, creative and rewarding success" is not just a breast shooting, but the correct reading of so many people's reaction to the series after giving Julu a chance. It's pretty hard for the show Get a 91% rating of rotten tomatoes in this crowded media environmentAnd many programs that work longer, never reach that high water brand.

Elsewhere in the diversity reporting, a source close to the Onyx Collective, the manufacturing company that made "how to die alone", claims that the series simply did not collect strong enough viewership to guarantee Season 2. The obvious weight of the scale for certain popular projects under that streaming umbrella, The numbers should not apply for those shows or movies. It's hard not to have a sour taste in your mouth, as Rotwell did, after all, the market is an absolute swimming in shows that feel like you've seen them before, and "how to die alone" was a concept that feels legitimate fresh.

Onyx Collective was founded by Disney to bring stories from people with color and insufficiently represented population on the market, even as the landscape area to make that task heavier and heavier. Honestly, shouldn't the goal be careful, interesting shows like "how to die alone", rather than having to choose their places so carefully? One thing that the buns have seen in the streaming era is that there is a real potential for background success, as the show has long enough to collect a larger fan base.

Supporting this idea is the fact that those viewers should be given the kind of time and space to accumulate on their own, and the study at the center of this story will rarely spend the kind of advertising dollars to make viewers appear to be a performance as "how to die alone" even exists. So, feedback begins to self-fulfill the prophecy, with Studies can cancel the shows because they "did not collect large enough", Companies that do not have to record any responsibility for, frankly, sad marketing efforts and effectively play defense against their own programming because there is a lot of these services and everything cannot be imposed.

"As if you die alone" is currently thrown to other streams and study because that first season exists as a kind of proof of concept of what season 2 can be, given the ability to bloom. Natasha Rotwell hopes the play can still continue, and she should feel like that, because so many fans just found "how to die alone" when it was decided to withdraw Ripkord in the series. A light place exists in the fact that there is so much "streaming" era that have found life at a different service or channel than life began; Hope really seems that spring eternal.

However, more than everything, I just wonder how long the industry can afford to continue ignoring new ideas in favor of trying to find the next big thing and fail because the attention between dispersed viewership is finally. New plays literally compete with "Stranger Things" to be the following "Stranger Things" (Something like "paradise" in the stable show of Fulu) To say nothing about the fact that they also face "Fortnite", the film version of "Minecraft" and whatever else, to a large extent unpredictable consumer base of the youth media, can find it cool next. There is no shame to be a little show that tells a relative story of communities that are not properly served; In fact, there is a lot of freedom and I dare to say, the possibility remains to be explored.