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The Rod Serling Anthology series "The Twilight Zone" nailed. Serling not only had a boundless imagination as a writer, but he was also familiar with the modern scientific scene at the time to reach some of his generation's best scientific authors to contribute to the "twilight zone". In the end, he and his creative team were able to build 156 miniature performances of morality-and 156 ironic endings of turnaround-during the five-season race in the show. Serling also drew Pletting of significant actors of the "twilight zone", Each of them gives an intense performance in (very often) a well -written episode. Someone wonders how Serling and Co. managed to create such a giant volume of TV episodes in such a short time.

As it was, it was far from a walk in the park. Serling worked under an intense TV schedule, a usual at the time, which was looking for a brand new episode a week. And while other shows like, say "Gunsmoke", could easily withdraw from weekly grinding, it was more complicated for the "twilight zone" because there were no most commonly used kits and there were no members of the cast. "Gunsmoke" had Jameseyms Ares every week and was filmed on the same city of Dodge Set already finished on the back of the paramount. The "twilight zone", on the other hand, had to fight for resources every time.

Serling has repeatedly talked about how fast - and how exhausting it is - the timeframe for producing the show. He also complained that the "twilight zone" had to work with a fairly narrow budget, which was a major factor at the time of the turn. In Martin Grams Runior's History Book "The Dusk Zone: Unlocking the door of the television classic", "" Serling is quoted as regretting the low budgets of the series, feeling that the accompanying schedule for rapid production causes the show to suffer from quality. He added that if he and his writers were more time to develop and record some of the episodes, the "twilight zone" would have been much better.

Serling noted that most shows that ran modern with the "twilight zone" had only three -day recording schedules. The "Dusk Zone", however, was often given a little extra time by CBS because it was an anthology series. His budget, accidentally, usually hovering about $ 50,000 per episode, with episodes like "midnight sun" using cheap special effects to help reduce their price. In combination, these factors have made the show feel a little too much disclosure to Serling standards. Indeed, he opposed the fact that the budgets were constantly too low and the shooting schedule is constantly too short. Because of this, he felt the show as a whole often appeared as too much sloppy and unprepared for his tastes. As he said:

"A series of top quality writing and acting can be held, but suffers from economics.The zone of the twilight ' It came with a rock on the occasion, this was occasionally a net result of sloppy writing, but more often it was reflected in the lack of time to properly polish the show. "

Serling may have been sticking to higher standards than many show fans, though. While fans can see the series occasionally tightening against their budget, Serling was good at writing smaller stories that took place in limited areas (including houses, small cities, cabins, libraries, and even at the bottom of the trash can). Overall, the "twilight zone" has found creative ways to work within its budget. If the show was to shoot in the valley of death, Each of their team retained costs only by eating salads. As the saying goes, the need is the mother of the invention. And while someone could want Serling to have the budgets and the schedule he wanted, it can be seen that he did okay.

The ironic endings of the series were no less ironic due to budget limitations.