Dennis Iliadis's revenge film in 2009 "The Last House Left" is for Marie (Sarah Parston), a young woman who, while hanging out with her friend Paige (Martha Mekisaak), is brutally abducted by the group of recently escaped prisoners (Garrett Dilahun, Aaron Paul. Inmates are trying to drive their victims, but there are frakes in the car when Marie and Paige are starting to fight back, causing them to accidentally crash into a tree. In retaliation, prisoners stab, sexual assault, and then shoot at captives.

Looking for refuge, the prisoners arrive at a local house on the lake ... Not knowing that it belongs to Marie's parents (Tony Goldwin and Monica Potter). Of course, it's just a matter of time before the second duo find out what's going on and find out what Marie's prisoners have done (who, as it turns out, is still alive). Will parents have modesty and where to detain or kill their daughter's attackers?

"The Last House on the left" was a remake of Wes Craven's film in 1972 with the same title, updated for modern aesthetics. Iliadis's film is fat and painting, while Craven's low budget is cruel and nasty and generated a lot of controversy in his day. Both films were extrapolated by Ingmar Bergman's film "The Virgin Spring" in 1960, in which parents were lightweight, pacifist Christians and their daughter was completely killed. Bergman's film converts retaliation into blood into a moral dilemma, which is not a supervisor of horror film. In comparison, Craven blinking has an element of moral rage and nihilism, pointing out that horrible people hurt others for no reason. Iliadis's film, however, is more than a pot and ends with someone blowing his head into the microwave.

Hence, it was surprising when the horror author Steven King cited the remake of "Last House of Left" as one of the best films of 2009 in a piece he wrote about Fun weekly. He did not stop there either, walking so far as he did it favorably Own Controversial Horror Classic of Athonate Dem, "Silence of Lambs".

King, as mentioned, was asked by EV to write a list of the best films since 2009, and his elections were ... unconventional. Some of his films received a widespread critical recognition and even drew attention to the awards; He was a fondicist of "District 9" and "Reader", and even wrote that the best image of Catherine Bigelow Oscar "The Hurt Locker" is the best film of the year. But it was clear that King liked weak films of exploitation and wide films for genres, too, as he also sang the praise of nonsense beak as "a law that adheres to the citizen", "2012", and the remake of "Downloading Pelam 123." King may be the master of horror, but he does not always have the most refined taste.

That, he said, he advocated "the last house left", claiming to have improved significantly to Wes Craven's original film. He estimated that there was no moral dilemma in the remake, wanting his philosophy that blood revenge is natural and expected. He also praised the cinematography of Sharone Meir and Paul acting, writing:

"Easily the most glittering remake of the decade, and not only because the original 1972 was such a stupidity. This beautifully photographed - but hard to watch - the film is a standard to judge all the horror/suspension films: Acting is superior (sex is particularly good, and the story," We love the dead.The silence of the lambs. ''

King seems to have missed the point of Craven's film, which is that blood revenge is neither an easy and expected nor a moral need (which was also the thesis of "The Wighin Spring" in Bergman). But he certainly loved the dark horrors of the film and catharsis when he saw the bad guys being slaughtered. He was one of the few critics who enjoyed it, though; The film only has an approval for approval of 42% Rotten tomatoes Otherwise.