Steven Spielberg's "jaws" is a cinema seminar changed the way the audience watched moviesTeaching them to examine the themes and metaphor under a seemingly simple story. Critics regularly rank him between The best movies of all time And its influence on the blockbuster cinema cannot be underestimated ... But despite all that, at the age of 38, I haven't seen it yet. Shark phobia and aversion to some of Spielberg's family tickets have been kept outside my watch list for years, but after all the desensitization through shark documentaries, I decided to change it, and exactly on time for the 50th anniversary of the film.

Although I never saw "jaws", I felt like I was absorbing everything I really needed to know about it from other media. After all, the film is directed and pledged in almost everything, from "Star Trek" to "It is always sunny in Philadelphia". Even so, there are elements that do not catch all these secondary interpretations. The "jaws" are fascinating because it is a rare cinema achievement that is a test of time - even if some of its special effects do not. It is much more than just a shark killer film or a popcorn with a crowd of popcorn, because despite being very good, it is a multifaceted criticism of American politics that feels too relevant five decades later.

While I knew there were some jokes in the "jaws", like Often the imitated "you will need a larger boat", I had no idea how funny the movie was. Jaws drops us immediately to the island of Amit on the fourth July weekend, where police chief Martin Brody (Roy Jader) is trying to keep people safe despite the fact that there is obviously a shark that shakes the beaching man. The shooting of the film is meaningless, delivering tons of information with a minimal exhibition and uses a fantastic rotation for suspension building, afraid and comedy that facilitates tension to turn you on. The The legendary result of composer Johnon Williams Helps keep things also; Combined with expert arrangement from faithful Shields, it helps to sell tension to the point that, despite knowing when the jumping stairs came, I still jumped and missed fear. (The result probably becomes a little Also Bright and untouched in the third act, leading to some tone imbalances, but it is a small complaint of otherwise incredible musical work.)

The "jaws" are reportedly about three men trying to stop a shark killer, but also out of it, and how those in power will often put their needs and "economic problems" over public security, ignoring scientists and other experts in the search for the almighty dollar. Nakakan Mayor Larry Vaughan (Murray Hamilton) holds Amiti's beaches, despite knowing he could easily end up in bloodshed, and this makes it an appropriate metaphor for everything from handling the US government of Kovid-19 to global warming. The shark only lives by its nature, but people who do not protect each other from hunger are the real monsters. Ille I admit: I didn't expect such a layered comment from Jaws, but it is quite pointed and shockingly smart.

My personal juvenile catches with what we could now describe as the movie "Adventuristic Amblin" aside (apparently, Spielberg made this film in front of the Ambin Style movie was even something), "Jaws" is a cinema in the best. Spielberg carries its effects on the sleeve, with open nodes of giants like Alfred Hitchcock that help the film feel really cinema. Cinematography is also phenomenal, with a clear intention behind every frame - something that unfortunately we just don't see in most modern blockbusters. Despite Its notorious problematic shoots, "jaws" is expertly done in every way.

However, what surprised me the most was how much I was caring for the three waters. Scientific shark expert Matt Houper (young, Kinda Hot Richard Dreyfuss) and the local shark hunter (Robert Show) help Brody Hunt on the shark, and the three men could not be different, but they are also allowed to be really honest and vulnerable. The actors behind the trio are really perfect, and each of their characters has since become an archetype; I wasn't really ready for how many times I would realize that the characters from other movies and TV shows were clearly inspired by one of these men.

Overall, the friendship being built between Hawoper, Quint and Brody, despite their huge differences, is quite great, and gives more weight to their survival (or death). Plates in the "jaws" are equally strong, while laughter, again, was a wonderful surprise. But in the end, my biggest stay is that Huper, Quint and Brody are phenomenal written and performed characters that make the rest of the film.