Ennenifer Aniston starred in some apostles before landing Rachel Green's role in "Friends". One of them was the short-lived television adaptation of "Ferris Buller Day", featuring her Anneni Buller-Lick. Loved movie Johnon Hughes. However, before that, she appeared along with Big Bang Theory Starweet, Maim Biakik of Moloj, Sitkom since 1990 that lasted seven episodes before Fox pulled the plug.

"Moloj" mainly focuses on the title of Biakik, as she reconciles with her mother's death. Having spent years in New York, her life was established when she moved to Los Angeles to live with her father and his new family. Ennenifer Aniston plays Courtney, the corrupt daughter of Moloj's new stepmother - a kind of Rachel during her snobby teens at "Friends". Courtney and Moloj Butt are the heads of Get-Go, providing some of the dramatic moments of the series.

Moloy gave up was unfortunate, but Bialik and Aniston continued to act in two of the most successful sitcoms of all time, so they probably don't lose any dream over it. Moreover, Aniston was not too attached to Courtney's role in the first place, so she was not too anxious when the show sounded.

When Ennenifer Aniston applied for Ferris Buller and Moloj, she agreed to be part of two series that intended to distance. However, as history showed, no show responded to those sublime expectations, but Aniston eventually found success with "friends", and the rest is history. Not only that, but the "friends" were one of the first TV projects he felt really passionate, as he explained in an interview with Theujork Times:

"When you accept a role in the pilot, you automatically sign up for five years. You think it's scary to walk the track? Try signing a five -year show deal that you may not want to be part of the road. That's why" friends "were so great.

"Moloj" may not have been considered a "cool kid" sitcard when it originally aired, but it is an interesting show that handles some difficult topics such as death, divorce and family conflict from a children's point of view. These themes are usually reserved for very special episodes in typical sitcoms, so Moloj deserves some praise to point out that not all childhoods are comfortable and cozy.