The horror is constantly proven to be one of the most flexible genres by mixing tones, aesthetics and voices. It is often a terrain training ground for flowering directors, as they are often caused to make their film made with limited resources. Low budget horror tends to cultivate creativity and, in certain cases, box office revenue. Just look at Sam Raimi's careers, Johnon Carpenter and George Romero, all of whom have left to become some of our biggest directors. You never know when the next series of talents comes out of the tree, and we seem to have new blood to be careful.

The A24 gave Kane Parsons' lead to make its playing directorial debut under their banner with "The Backrooms", a science-fiction horror film, produced by the Jameseim Van atomic monster (through Diversity). The project is set up to be starring in Chivel Egiohofor ("The Life of Chuck") and Renate Reinsve ("the worst person in the world"), with details of the plot being kept under the wraps. However, the craziest details of this announcement are that Parsons is only 19 years old, so makes the youngest director in the studio history. It's an age when most people barely learn to find out who are in the adult world, and here's this fresh person who works with one of the most prominent movies in business.

It is a deserved chance of a lifetime for Parsons, as the "rear rooms" was born of a YouTube series found on its channel Kane Pixels When he was only 16 years old. Gen Z talent videos have become a kind of main part in the field of online horror, attracting attention from all the corners of the internet in recent years. (The other YouTube series on Parsons, "The Oldest View", was highlighted as one of the worst horror films of 2023.) He is able to imagine a significant fear and atmosphere with very little money, giving the impression that there are many cool tricks on the sleeve.

We can gather a lot of information from this exciting post, but one of the biggest downloads is that YouTube is the center for horror talent.

If the "rear rooms" was not enough reason to see YouTube as a focal point for fresh young talent, then all you have to do is look at what plays in cinemas right now. Dani and Michael Filipo started their online video platform with their channel RoomAnd they are currently driving the wave of their second theatrical horror, "Return". The couple initially made a splash for several years with the unpleasant 2022 Having a horror movie "Talk to Me", which was given the green light from the A24 to move forward with a sequel.

Although I personally believe that "go back" is very poorly produced, yet shallow provocation, it is undeniable that their work has attracted the attention of people, with /The film Chris Evangelist has attracted praise for the dark horror hunt in his review. YouTube shoots with a bunch of soulless content, but up and come with something to say, it will almost always use the cracks and find an audience. The web site is a very different place than it was when I first discovered it, which can sometimes make me feel like I'm in touch with what has become popular these days. Some may try with the idea of ​​a platform at home to the videos of Kokomelon and M -The bever that produces a new culture of directors, but just because something has been removed from your generation does not mean that it has no value for its popularity. The A24 is incredibly wise to pay attention to what people talk about and give these creators an even larger platform to allow their art to bloom.

Parsons and the Filipu brothers are not even the first directors to make YouTube jump on the big screen. David F. Sandberg, known on YouTube as DonosmaserHe extended to his eerie "light" short with a feature horror film by Warner Bros., and has since worked on films from the Universe of Contring ("Annabella: Creation", the former DCE ("Shamas!") and and The world of video games adaptations (to dawn). He even posts videos that teach valuable tips on making movies and tricks based on what he has learned. The critic of the film online, Chris Stockman, had aspirations to be a director and, after years of his presence online, reached an agreement with Neon to distribute his Footage for director's post, "Shelby Ox" found.

The best part of all this is some YouTube creators who take the initiative to make their own horror movies, as is the case with Curry Barker's "milk and series", which you can see now for free. The Horror movie in 2024 found horror films about some YouTube joke that jokes way Too far away. Made for 800 USD (you read that right), the hourly feature is quite impressive and has a dark comic middle strip. It is only a matter of time until its ingenuity becomes the radar of the Hollywood higher.

Parsons is in a great company here, and his collaboration with A24 will only look at his job. But if we look at the breadth of how YouTubers can become Hollywood sensations, we also need to look at another horror movie a few years ago.

Kyle Edward Ball's "Skinamarink" proved to be a very dividing film among the general audience, but for my money, not just One of the best horror films of 2023but the impact that defines the era era. It features a plot, though small, two very young children waking up in the middle of the night to discover that their parents have disappeared, along with all the windows and doors in their house. The camera is fixed to ceilings, cartoons in the public domain and partial contours of the children themselves. It is a viscerally disturbing avant -garde lime nightmare that devours you. The tension of "Skinamarink" is almost unbearable, everything without having to show something you usually expect to scare you. It's one of the few films I've seen I can easily blend like evil from top to bottom (complementary).

Before using its jump on the big screen, the ball started its channel on YouTube Calalized nightmareswhere I would try to visualize people's nightmares. Many of these videos are still really nasty. The 30-minute short ball titled "Jack" is basically a test of what would eventually expand "Skinamarink". The functional film, filming Ball at his childhood home, has become one of the most talked about viral horror sensations since 2023, after illegally distributed Skriner made his way through the internet. By the time Suder and IC agreed to distribute the film, he was the mind of many horror fanatics. Skinamarink has beaten the chances and proved how widespread the horror of YouTube can be. When was the last time you saw an experimental film how it attracts this very notorious from the general public?

It proves that YouTube is a democratized center for viewers to shine light on content creators with something to say. Parsons' "backs" videos play in a similar criminal space as "Skinamarink", but time will tell whether he sticks to the understated approach to his YouTube videos or expands the volume of canvas. There are a significant number of talents on the Internet there yet to be discovered, and that is incredibly exciting. The "rear rooms" feels just like a start to Parsons, and I can't wait to see what a string of horrors there is in the store for us.

"Go back" now plays in cinemas all over the country.