It should be immediately stated that as early as 2018 Johnon Crickphalusi - aka Johnon K., creator of "The Ren & Stimpy Show" - was accused by two of his former employees of sexual grooming. When they were teenagers in the 1990s, K.on K. He engaged them in his Spimc Animation Studio after already engaging in inappropriate sexual murmur with them. The statute of restrictions has expired on crimes of crickphaluses, so he has never been arrested, but since then he has come out of the public. "Ren & Stimpy show", "" As reported in 2020Sometimes he was preparing to restart, only this time without any contribution to cryphalouses, and without it receiving any income. Restarting has yet to happen.

Of course, the reason nickelodeon wants to restart the show Ren & Stimpy is because it was overly influential. K.on K., inspired by the works of Animator Madcap Bob Clampet, went through the 1980s animation industry, which he thought was a very cynical time. The industry, he said, was obsessed with what they called "mark value" (as I would call it "IP" these days) and will only take a show if it has a recognizable character or potential toy product. K.on K., sick of that thinking, is pushed to create a semi-orectrealist series of comedy for Chihuahua named Rehn (crickphaluses, making Peter Lornos Limenta) and a stupid cat named Stimi (Billy West, Making Larry's Personal Personal Personal). This will be a comedy forward and split with the awkward ideas for the 1980s. It was also-and this was a coup for the animation-creator-forward industry. It wasn't about IP, it is about the artist.

K.on K. He worked on Rehn and Stampa until 1992, when he was abruptly fired from his show. The story was covered by the Los Angeles Timesstating that, despite his artistic ambitions, crickphaluses simply could not meet the deadlines.

To further explain the importance of "The Ren & Stimpy Show": debuting in 1991, Johnon K.'s series. It was wild, violent, awkward and slightly painful. Rehn was caustic and anger, while the darkened stamp coughed with fiber and had talks with fingers and Bulgarians. The series did not adhere to the static limited animation of most TV shows, preferring to animate its leading animals with thousands of expressions and bodily movements. He used the intersected sections-and the revolted image of the characters and used the commercial music of the 1960s, giving the retro-kit show. Did not stay. When Rehn went crazy, he really went crazy, ate rods of soap and slap stimulus in a centimeter of his life.

The episodes first started showing the animation festivals, and Buz started seriously. MTV showed some in special time slots. In the end, Nickelodeon collected it as a series, and the rest is history.

"The Ren & Stimpy Show" was uniquely among its peers and received much media attention on how strikingly and strange and off, and yet as aggressively funny. The world was definitely ready for the hooked series like him, and became a hit. K.on K. hit the nerve. Not only did the show celebrate, but also proved to the industry that ordinary, commercial efforts are a thing of the past and that the strange, external creatives were now the source of their hits. In a few years, the industry has been turning to allow more creativity and quality.

Of course, K.on K. proved to be a capricious creator. He thought of himself as a rebel, and often tightened heads with taller windows in nickelodeon. Crickphaluses spoke of live projections and events about his days at The Ren & Stimpy Show, and he said the executions hated much of his work. They hated one of his accompanying characters, George Liker and hated his angry calls for artistic details such as coloring, editing and walking. The connection was never hot.

When K.on K. He could not meet the deadline, according to the Los Angeles Times, he was fired from his show. It took months to complete the episodes that had to be completed for weeks, and he didn't care much. This, of course, was a problem for nickelodeon, which was supposed to fill their schedule. Indeed, they have already reduced the original crickle worksheet from 26 episodes to 13. Even then, it lacked deadlines. At the Times, an unnamed Nickelodeon Excute was quoted: he said:

"The main problem is with production. (...) We don't get new episodes. So it's not a problem with content. We're a network.

Pretty simple, really. When Crickphalus was fired, he was replaced by his partner Bob Camp, who oversaw most of the series. You can see a change in aesthetics when the camp took over. While the series remained an intrusive gross, an element of anarchy was missing. Kon K. He wanted things to be fast and loose. Bob Camp was better about what the show really did. Vincent Waller, one of Rehn and Stamp Starwells, has passed to work on "SpongeBob Squarepants", And the parallels can be seen. Children would not exist without "Rehn and Stampa".

K.on K. They revived "Rehn and Stampa" in 2003, this time under the flag of adult TV. The new series, invoiced as "Ren & Stimpy" cartoon for adult parties ", are characterized by body fluids, live feces, animated nudity and sex. Rehn and Stampa were not just friends of animals, but loversuboxes. It is a wild show, but it can take a strong stomach.

Then, in 2018, Johnon K.'s sex crimes were discovered, and his career stopped abruptly. The Ren & Stimpy show was very influential and forever changed the course of animation. It is a pity that it is created by creep.