In an effort to look deeper into the perspective of a branch, we are already getting to know each other, "Ballerina" sets its sights at the Russian Roma Academy introduced in "Won Vic: Chapter 3." Since Vic is basically a freelance artist, Eva McCaro (Anna De Armas) works under the watchful eye of the school principal (Angelica Huston). After the extensive 12 -year training course, Eve is finally allowed to go out for missions and becomes a capable killer in the process, though not very interesting.

The mechanics of the exact timeframe are strange, but we know "ballerina" largely takes place between "Chapter 3" and "Chapter 4." While at work, Eve reveals a large X -shaped scar, which fits the same highlight of the killers who killed her father when she was a child. Eve gets a taste of revenge (surprise, surprise) and opposes her orders not to do the issue further, which encourages the director to make a phone call to a name we all know pretty well.

I'm not saying that De Armas is not worthy of being in these films, but there is not enough in "Ballerina" to open a future worth following with Eve. It's not so fault of De Armas. She steals "no time to die" by Daniel Craig, with a fantastic action sequence that practically acts as an audition to entrust her with an action movie. But Jay Hatteni's prose -up scenario meets as someone else can play this character with the same boring results.

The short scene early, where Eve shares a moment with the recently delighted wick is short enough to work as "the future is yours" that passes the torch. But when Vick enters the film for the second time as an engaged hand, he highlights the disadvantages of the film ten times and Devalva Eve in her film. He arrives at Holstadt under the order to kill her, but Gives still gives enough time to fulfill his quota for revenge. In the culmination of Ballerina, the chancellor of Gabriel Byrn, who owns Driftwood's charisma, hears that Eve slaughtered a good piece of her strongly armed cult alone, but did not move to security until he learned that Baba Jaga had joined the fight.

We have been told that the cult is a serious enemy of the rim assassin, which works for a better part of 1,000 years along with the high table. They are even more dangerous versions of the killers we have already met. But not only Eve, however, relative newcomer, took out them, the group itself is as generic as they come. They feel superfluous in the face of four films where the assassins are already doing open business in the public and violating continental rules. The second is basically Tuesday for them. Their worst offense is the lack of memorable people who bump against his protagonist.

The glittering problem with the Wick-Werse is once, we will start opening more heard, but not viewed, pockets of this world without its central character, making the whole company wildly less interesting. Even by the end of Chapter 4, we have not yet met all members of the high table rank. There is another mystery there. Further discoveries within each sequel "Johnon Wick" are in tandem with the personal odyssey of the title killer. Subsciacs of killers, for which death is just as cultural institution as breathing, acts in accordance with the challenge of taking the force of nature. Now That is Attractive hook.

"Ballerina" comes to life whenever Reeves is on the screen because these films already know how to use his talents as an actor and stuntman. Meanwhile, De Armas is trapped in this uncertainty where she cannot help, but to be in his shadow. By the end of the film, not only did Eve finish her journey to become a replacement for Vick, going so far as to decorate in similar clothes, complete with a similar black suit, her sequel teasing is the same "on the run" of "Chapter 2", and I think such a boring development.

One of the most frivolous sins of the Vic-Stiche fails to find its own voice before the revitalization of the franchise.