The Dan Erikson's corporate dystopia's hit series "North", the four leading characters - Mark S. (Adam Scott), Heley R. (Brit Dollen), Dylan G. (Zack Cherry) and Irving B. (Johnon Turturo) - work on the lower floor of Lumon Industries, mysterious and mysterious company that produces ... something. The four works in the macro refining department and their work is to sort the numbers into digital boxes. They achieve ... something. Their office is deep in the Lumon building, and their benches are grouped together in the size room, carpet with a carpet of the 60s and illuminated by oppressive fluorescent lamps. Since Lumon's staff have had their memories "cut off" from the outside world, Lumon's office is technically the only world that employees have known so far.

To reach the green room, Lumon employees need to get out of the elevator and walk a very, very long walk through a maze of narrow, ordinary white corridors. The sets of "cut off" are huge, and the actors reportedly lost in a very real labyrinth that gathered the set. The introductory scene of Season 2 of Neeverans was virtuous in showing the labyrinthal qualities of Lumon's eerie corridors. Also left Adam Scott utterly kicked. Season 2 also revealed that there is a secondary basement under the one who works for macrodati refining, Where is Gemema closed (Dichen Lachman).

Many views will describe "cutting off" as a claustrophobic show, and it's not just because the four main characters rarely see the sky. It feels tight. Imposing. As the ceiling closes. There is a reason for that. Designer of the production of the show, Ereeremi Hindl, Recently talked to the Hollywood reporter For sets and designs for "cutting off", and he revealed a simple trick to make Chinese space look tight: just direct the camera to the ceiling.

It should be remembered that the huge part of TV and film kits are built without ceilings, often to accommodate lighting, adjusting and other technical equipment. It's okay to build kits this way because the low angles are easy to avoid. Just keep the camera in the natural eye line, or lift it up and angle down, and it will create a wider and better sense of spatial continuity. Because of this, the ceilings on the screen, at least in everyday areas such as offices and houses, are considered oppressive and unusually short. Hindl knew this, and was able to get a eerie, boxing feeling only by making sure the ceilings were visible.

He also said, helped his idea of ​​how to ignite "cutting off". Open ceilings allow for strong, film lights. The ceiling requires more naturalist lighting. As he said:

"TV Complete never have ceilings, sometimes. And you can say with lighting. I always build ceilings. (...) (that's) a huge problem with fire.

The second season of "Grade" recently ended, with Mark and Helly fleeing to the Lumon building, happy to be together, but insecure where they could go; If they leave the building, they will cease to exist effectively; Their brains will return to Lumon themselves.

The audience may be lost, but Hindl was sure to draw a map. The creators of "Separation" know exactly where everything is, and Hindl has even shown one of his plans for the Hollywood Reporter article. One can be able to grasp Lumon's geography with such a diagram. Although I will surely get lost in the corridors, I was there personally.

Season 3 of "Separation" is in deeds.