If you are a director in 1993 to have one of the best years in your entire career, then congratulations, because your name must be Steven Spielberg. At the top of winning over seven awards at the Academy of Highly appreciated World War II Academy of World War II, Spielberg was also one of the many people behind Michael Crawkon's "Jurian Park" adaptation of the big screen. The film not only won three Oscars at the same ceremony, but also cemented as the top of the Wizardry CGI that the visual effects that artists still look for. Of course, Spielberg was already Hollywood's chief at this time, after previously pionerying the modern blockbuster as we know him with Jaws in 1975. However, the director was supposed to show the audience something they have not seen so far, much like the ambitious dinosaur tycoon of Richard Attenborough, Johnon Hammond.

"Jura Park" just doesn't happen without VFX Dennis Muren, Phil Tipet and Stan Winston Gathering his talents of "Herald Industrial Light and Magic" in a new age under Spielberg's watchful eye. A mixture of large -scale animatonics and technological breakthroughs in CGI, dinosaurs have become the Film spectacle to win. We all know that "the lost world: Jurassic: Jurassic Park" in 1997 at that time would be Spielberg's next film venture at the time, and I claim that it was not as bad as many people would do it. I'm not entirely on board with /film Daniel Ryan Claim that "Lost World" is the best film "Jura Park"But they have a real idea.

The success of the Jurassic Park was huge to the point that it would be strange if Universal never tried to use it, and the lack of Spielberg returning to the director's chair would have been an equally confusing move. But why not return for "Jura III Park?" Well, there is a pretty simple answer to him.

When the time came to direct "Jurassic Park III", Spielberg handed over the backs to Oeo Johnonton. The latter campaigned to make a sequel to the release of the first Jurassic Park, and it seemed like a natural fit. Not only did Johnonton be well acquainted in the world of visual effects, after winning the Academy Academy for his work at Indiana Ons: Thieves of the lost casket ", but he has already directed the films VFX-heavy films such as" Rocketeer "and" Jumanji ".

Around the time, Jura Park Trickel hit theaters in 2001, Johnnonton revealed that he got his chance to play with the dinosaurs because Spielberg seemed too exhausted to take the helm. "Spielberg called me and said to me," You know, these movies are tough. I have too many kids now. So if you want to make a movie "Jurassic Park", as for number 3, "explained Johnonton (after Chicago Tribune).

The general rule of the thumb when it comes to the entertainment industry is if the film is described as an attractive achievement, it almost always means that its creation was a grueling venture. You do not get the most beautiful dinosaurs on the screen of all time of the whim, and it seems that Spielberg had enough waving in that world. I just think it's fun that the blockbuster director was already good to work The effects-heavy "artificial intelligence" until thenHowever, I looked at what Johnonton was doing and it seemed facilitated that it was no longer his responsibility.

"Steven stopped until the first time we made a shot for our first major (special effects) sequence and he left saying," A boyfriend, I'm glad I don't have to do it, "Johnonton recalls.

Spielberg has built a career from doing the impossible, but it's easy to forget that he is just human. He would never completely leave the franchise "Park Jurassic", though, because he receives loans for an executive producer of each film. Indeed, if a new movie has even a tangential connection to the mega-hit-hit-hit-hit-hit-hit-hit-hit strikes in the early 90's, then he gets a great deal of fat in the post office. It is not too different with Spielberg that is directed by "Indiana Onesons and Dialing of Fate" after striking Wallid with the "Kingdom of Crystal Skull". Don't you just want it when you can reap the benefits of previous work and wait for people to send you money?

However, as he did not want to take responsibility to direct the third film in the franchise, the director probably wanted to visit the Jurassic III set. Cinematographer Shelley Nsonson even noticed Spielberg giving advice advice On how to make a recording look more dynamic, stunning. Man just can't help.

Regardless, Johnonton's directing of the film has proved to be a great decision despite all the chaos during production. Although "Jurassic Park III" can't touch the magic of the original film, it's really fun and silly 90 minutes B-film that just happens to have effects at the level of its name. Also, it's better than the best sequence in any of the Jurassic World Movies.