It's been nearly 18 years since the last episode aired, and yet somehow, there is an unfortunate Cup that has not yet seen any episode of "Sopranos". We get it. Perhaps given the universal recognition, life (and perhaps death?) The Tony Soprano (Jamesesheims Gandolfini) is a little frightening. What if you finally sit down to see what many think is the biggest television show ever and you think you don't like it? What if she suffers from that classic disease of "taking several episodes before it becomes good"? Well, don't worry; After careful sightseeing and Gabagul Mountains, we carefully chose a quintet of ideal episodes from the David Chase Television masterpiece that will make you realize that nothing is more important than family and dreaming of fish.

From the brutal moments of betrayal to brilliantly funny independent episodes, these are five extra-special chapters of what has become a major part of storytelling and changed how the television was being done since then. Obviously, for the uninitiated, some of the records on this list may include spoilers, but hey, whaddya will do? We paid tribute to the boss and made sure this perfect series of episodes make you understand how much you missed. So get in for a while with Tony and family and see why "Sopranos" is really a benchmark that only a few have managed to meet since.

It may be an easy choice, but there is no doubt that one of the best episodes you need to see to get your lying on Earth in Sopranos is the first. A little rough around the edges, it has not yet prevented the initial introduction of Tony Soprano and his two families to be the installment of you.

From his private initial session of D -Melphy (Lauren Bruco) to his obsession with the years to come, Tony's view of the world and his control over it were attractive from the beginning, as well as the good, bad and ugly characters they filled. It emphasized the brilliant double link between him and the elders who took deep care. In addition to his uncle Junior (Dominic Fijan), taking care of his upward nephew and the fight that took place between them, the real threat was not the crowd in which he was part of, but the biggest villain on the show and probably one of the best televisions had the dissatisfaction with Hosting: Nancy Marshand.

It is easy to see Cheis initially predicted Livia Soprano as a source of infinite problems for Tony until Marshand's untimely passing. In the first episode, we take a look at the type of trauma she missed on her son that lasts even after her death. This dynamics proved to be "soprano" was for more than the crowd; It was about families and exhausted, combat bonds that connect us to them, and just started.

Some of the greatest moments in the history of Sopranos are when some of the its the best characters are out for counting. Chase raised the show with dream sequences showing the fears and secrets of captains and soldiers in the Sopranos family, which rarely spoke to each other. An episode that deals with this brilliant is "Funhaus", which saw Tony succumbing to food poisoning and dreams of the truths that he has done so far to try and ignore them. After already removing a rat earlier in the season, Tony accepts later confirming that Pussy Bonpensero (Vincent Pastor) is an FBI informant and is appropriately concerned.

This indicates the first significant selection made by Tony to haunt him in the years that followed, sending his levels of paranoia to new spheres whenever he was in the law. It is also one of the most emotional outputs of the character. At this point it is a testimony to the show that as much as Pussy's fate was inevitable, he did not make his death any easier for the family, or as viewers, demonstrating Cheis's masterful ability to turn some of his most represented characters into pleasant and good good pallets.

Perhaps the most attractive element in the show was not the standard matters of the crowd, but the private thoughts and frustrations he shared with his therapist, Dr. Melphi. The more time he spent that office, the more layers were peeled, not only with Tony, but also with the therapist who was afraid and fascinated by him. Of all the women who entered and out of life of Tony, Melphi's relationship, besides the one she shared with Carmela (Eddie Falco), is the most intriguing to see, and did it even more in the frightening fourth episode of third and considered the perfect season of the show"Employee of the Month".

Until now, we have always given a look at Melphi's life, but here we spent the most time with her in one of her traumatizing moments. After going to her car after work, Tony's therapist is sexually assaulted by an unknown assailant, and while in recovery, she is struggling with the choice to tell her patient what really happened. To do this, it will ensure that a different kind of justice will be served, but it can also make it better than the monster struggling to tame each week. It leads to a perfectly gloomy end, highlighting Melphy's place in the world of Tony and its lengths to keep her distance from it, no matter what it can mean for her in the long run.

Ask every self -esteem fan of their favorite episode of "Sopranos" and you can bet on a frozen pack of mustard, they will say "Bor Barens". Directed by Steve Buskemi (who would eventually appear in the show as a cousin of Tony, Tony Blundeto), it may be the only episode needed to really show someone in the fuss, and they are guaranteed to have a few laughter during their discovery.

Playing as an episode of a bottle, Pauli (Tony Syrico) and Christopher (Michael Impursi) have the task of making a collection that spirals out of control. Therefore, they are lost in the title, after failing to bury a mistake they made, which can worsen things only for Tony. As the night takes place, things are getting worse for only two of the most memorable tons of tons, which are struggling over ketchup and cozy packages to continue. But with the funny moments that are sprinkled throughout the episode and the wrong communication between all three parties, more worrying details reveal only what to deal with other problems.

As much as Ton "can have a dedicated operation under his disposal, Pine Barens gives the most clear picture of some of her key players and just what they are really capable of when the worst comes at worst and that some of the key crime family members are always out for themselves at the end. First of all, it also impressively distinguishes one of the most beloved unanswered questions on the show's show How a Russian interior decorator was extracted and never seen again.

Tony has many plates to turn during his time as a boss, but the one who proves to be the most difficult is to keep his work in "waste management" away from his home life. It all comes to the head in "Whitecaps", where Tony and Carmela rejoice in their family and the foundation they have set for themselves, just to descend thanks to a drunken phone call.

While Tony is out, his retaliating Gomar, Irina, phones the residence of Sopranos and tells Carmela about their long affair. What follows is one of the most realistic, explosive arguments among the couple ever caught on the screen, bubbles with fierce and hatred. It is a testimony not only for the constantly brilliant performance of Gandolfin as Tony, but also the ability of Eddie Falco to match how to push each other buttons that are to see the intestines.

Fury, tears, despite heart pain flooding through one of the most impressive moments in the whole show, proving that "soprano" is much more than a person who is married to the crowd. These are the unfortunate souls who are drawn into his world, and this includes a woman who can live in "this thing on their" just as in the family that means the most.