WARNING: This article will discuss a film about sexual abuse and incest.

Filmer Ari Aster exploded in the cinema world by publishing "hereditary" in 2018. That film was structured around a demonic cult and magical glyphas they used to make ritual victims, but Moreso was about intergeneral wines, barely suppressed outrage and decaying the family unit. Tony Collette gives the best career performance as a woman who hates his mother and who does not have a small amount of depressing bitterness towards her own family.

Aster followed this with "Midsmar", another film about cult victims, this time complimented by the protagonist's family's murder/suicide. As "inherited", "Midsmar" was deeply loved by the horror community and is often considered an example of the style of the A24 house. Florence Pug also gives an amazing performance like a sad young woman whose scary boy hates her. In 2023, Aster made him split, panic and Deliberately hard "bio is scared", Freud's highest order frax, set or in a dystopian future, or in the mind of a man suffering from panic attacks. It was one of the best movies of the year. Aster's next film, Eddington, It is due to theaters on July 18, 2025.

While Aster was still a student at the US Film Institute, however, he was already trying to be as provocative as possible. Aster has always been interested in getting into the darkest angles of wines and taboo, and his short thesis, "the strange thing about Nsonson", was no exception. Short shown at the 2011 Slamdans Film Festival and no one knew what to do about his family abuse and more scenes of the father-son.

The story of "The Strange Work for Nsonson" is a deliberate shutdown. Billy Mayo is played by Sidney Nsonson, a respected poet who was happily married to his wife Angela Bullock. At the beginning of the film, Sidney enters their son Isaiah (Carlton Effeefrey as a boy, Brandon greenhouse as an adult) satisfies himself. Sidney tactically comes out ... Not realizing that Isaiah looked at a picture of Sidney. This eventually turns into an offensive link in which Isaiah begins systematically sexual abuse of his father.

A few years later, when Isaiah married, Sidney writes recognition of his son's abuse. Confession inspires Isaiah to continue his acts of sexual assault on his father. Anoan deliberately blocks the sounds of screams he hears through Wallsids. In the end, Sidney will be killed, and Anoan Will will oppose Isaiah of his acts of sexual abuse. Their argument will lead to bloody violence.

Aster talked about his inspiration for his dark, twisted short film In an interview as early as 2011And he said his goal for Nsonson is to release the open taboos that were not previously thought out. According to his words:

"We talked about topics that were too taboo to be explored, and so we arrived in taboos that were not Even Taboos because they were so unforgivable, and the most popular was that of a son who abused his father. "It should never be done in a movie!" So it started at that level, but from there it developed something very different. "

In the same interview, he insisted that the film should not have been commenting on the race and that Nsonson was black just because he wanted to throw his good friend, the greenhouse, in the lead role. (Aster is white.)

Aster said he knew his film would invite controversy, although he admitted that he needed so long to do, he eventually lost the look of the shocking nature of the subject. He also strives to make Nsonson as a drama, not as a film of exploitation, telling an emotionally sincere story of pain and abuse, but also presenting it as a satire, with a terrible, bloody ending. Aster said Nsonson was supposed to be considered as sending a family melodrama of the 1950s, such as those made by Douglas Sirk or Nicholas Ray.

However, Aster revealed that while the film was making circles through various film festivals, he was leaking on the Internet illegally. Online critics, perhaps, predictable, were shocked by the subject, and can easily find itself short, and any number of video views, on YouTube. The leak seemingly increased the film's profile, even if Aster didn't get the money for the Butlegs. The externes quickly set all kinds of film descriptors, calling it disturbing, disgusting, intense, etc.

In the end, the movie was reviewed by Malcolm Harris for the Huffington PostAnd he discovered that online experiments did not understand the purpose of the film. Harris revealed that he too was survived by sexual abuse in his family by African Americans and acknowledged "the strange thing about Nsonson", the dark secrets kept in his community. He expected that all survivors of sexual abuse would definitely see their experience that reflected exactly in the Aster film and that it was certainly not the exploitation film that seemed to be thinking online. It's a horror movie, maybe, but not here for fear or excitement. Here is a horror in the real world.