At the moment, Jimim Parsons reminded that episode director Jimi Barrows gave him a very specific piece of direction, which helped him really blow himself at the moment. "And when Penny sits in the place of Sheldon, I will never forget the words that Jimi Barrows told me, who were, 'When she sits in that place, I love you like a cat! Like a cat! Like a cat! Meu! As in, Oh no, no! ' And that note, that one direction, started the whole part for me, "Parsons told Esseca Radloff." Once I knew that this was what he wanted to be my reaction, everything else was going on. "

"The audience at that moment became wild," said Jacques Lore, remembering what he saw as the cast filmed in front of the live audience in the studio. "They were for Love Current in Sheldon's neuroses. I stand on stage and look at Jimi Barrows (...) and Jimi looks at me, and we both see each other with these big snacks. We knew this things. It was one of those moments of goose you never forgot.

As he pointed out Bill Pradi, Sheldon does not fit or yell at Penny and force her to move; Instead, he politely explains to Penny that he Always Selects the same place on the couch and why. "In winter, that seat is close enough to the radiator to stay warm, but still not so close that it can cause sweating," explains Sheldon for Penny. "During the summer, it is directly in the cross -breeze track created by open windows there and there. It faces the television at an angle that is neither direct, which discourages the conversation, nor so far to create a parallax curvature."

As soon as Penny, crying for a former boy, becomes a tissue, Sheldon Skos right In the usual place without missing a beating, but it is clear that he drove the situation to Wallid before an unconscious penny moved away from the couch. That's a Perfect The resolution of the problem, and for the rest of the series, that "place" belongs to Sheldon and Sheldon alone, even when the character later moves out of the apartment.