This article contains spoilers For "Karate Kid: Legends" and "Mission: Impossible - Last Consideration".

In a way, the film is an escape that the audience is able to leave their world behind and find themselves looking at another. After all, it's a submersible experience. Each film drives at its own wavelength. Viewers who are more kinematically adapted can rejoice in what they can recognize a director working their magic, but on the other side of the coin, noting that the decaying seams can be harmful to the whole experience. When the step is turned off, it makes you think about the movie over what is there to do.

A great stroll movie can often hide flaws or expand your suspension of disbelief because experience as a whole does not give you the opportunity to think about them all at the moment. Every scene informs the next. Some of the best edited films feel flawless in their presentation. It's not something you really need to notice first viewing, making it still frustrating when you can practically see the editor struggling to do something coherent from the screen shots.

"Karate Kid: Legends" and "Mission: Impossible Calculation" are the late records in their franchises that have been running for decades that could not be different from each other, but they are still going to share a similar dilemma about strolling.

"Legends" and "Final Calculation" come from two different places, the first being re -introducing a large "karate child" canvas and The second is a goodbye to "Mission: Impossible". However, both films seem to have a hard time presenting a narrative at an economical pace.

Part of what Christopher McCarari did great fit for the last few Mission Mission: It is impossible to make the ability to make scenes in the exhibition to feel alive and visually involved without stopping the rhythm of the film. "Rogue Nation" and "Dead Suming" are particularly great examples of this. However, when it comes to "the last calculation", however, The film immediately floods the viewer with mild feedback and overloading information to the exhaustion point. We barize through a significant amount of underdeveloped scenes that can be emotionally swinging if given a room to breathe.

It makes it too easy for ordinary viewers to witness the film struggling to find an intermediate level in which information compliments the action. The emotional logic of all this must make sense, but this and the "legends" suffer as a result. However, the central difference between the two is that the "final count" eventually finds his views and locks in the back half, after Ethan Hunt (Tom Cruise) will actually remove his missions. Sevastopol and the two-aircraft, in particular, are significantly better, Allowing the viewer to engage in the spectacle of watching Cruz is thrown around like a rag doll at the moment.

"Legends" have different goals in that they should also be a sequel to "Karate Kid" films in 1984 and 2010, despite being welcomed by newcomers who may not have seen them The six seasons of Cobra Kai. But his problems strangely fall into a category outside the franchise's respect. I thought it was pretty fun that "legends" were tasked with bridging the generation gap between movies And Raising a new trip to the protagonists in a movie in which barely watches in 90 minutes.

In some respects, "legends" feel like a return from the inflated traces of the average blockbuster. You can see it twice at the time when it is needed to see "final count". The "karate child" rebirth is moving at a break, but leaves the potential of the film in the wind.

Cinema -New Doctor Ben Wang, Who you may have seen before in the short -lived Disney Series+ "American born Chinese", In fact, it radiates a charismatic presence on the screen like Lee Fong that somehow manages to shine through the many disadvantages of the film. He is immediately pleasing. As with other protagonists in the Karate Kid franchise, Lee is a new child after moving to Newujork with her single mother (Ming-on Wen in a treadmill). However, in an interesting subversion, he is already proficient in Kung Fu who taught his teacher Mr. Hahn in Beijing. Lee ends up as the one who trains Victor (Oshoshua Acksecson), the boxer turned into a newer's pizza combat pizza, which fell into debt with some MMA loan sharks. There is a good movie here to build that story, but "legends" could not be in a hurry to return to the status quo.

One of the biggest lessons in the "karate child" franchise is that of patience patience. "First Learn Stand, and then Learn Fly" is an important lesson from the great G -Din Miyagi (Pat Morita), but "legends" is always in such a hurry, not in a way that compliments Lee's story. The scenes end just as fast, they start, allowing them to build an emotional tied to his characters. For example, Lee loves Kung Fu, but we learn in a series of retrospective that his brother was killed after a quarrel with a sick loser. The emotional dilemma is resolved almost as quickly as it is introduced by the forthcoming arrival of Mr -Shan and Daniel Laruso (Ralph McCio). It remains barely half an hour to go to the film and as a result of the introspective growth of Lee's character. /Film Whitney Seibard was more positive on "Legends" in his reviewBut even he could not notice the sharp jump from one movie with a short -changed movie.

It becomes long -lasting, but at least "the last calculation" allows his characters to sit down and talk about things, while "legends" are often flogged in the next scene before people can finish their sentences. All the blows are there, but there is no soul for any of them, which feels like a huge wrong step in this series. "Next Karate Child" is unjustly lambed as the worst entranceHowever, Hillary Swank's Jululey at least comes out of the other side as a fully realized character. Even the $ 50,000 prize attached to the competition The 5 districts are found as a subsequent, which is never covered, rather than the driving force to win the match and save Victor's pizza salon. That's and he does it, but you would never know that by seeing "legends".

I am not misled to the point that I expect the movie "Karate Child" to be a high art bastion, but the series did a great job to present a conflict for these protagonists to overcome it after taking time to learn patience. "Legends" cannot help, but they are presented as a poorly edited film, which took care of the attention of Tiktoka, who feels like someone watching a movie at a higher speed.

"Karate Kid: Legends" and "Mission: Impossible - The Last Conservation" now play in cinemas all over the country.