The most notorious description of the NBC seminant of Jerry Seinfeld and Larry David Seinfeld is that it's a "show for nothing". The shows have authorized the series to be free of unusual morality or moments of personal growth for the main characters; Everyone had to be as ignorant and small at the end of an episode as they were at the beginning. This was seen, at that time, as an antidote to the sitcoms of the previous generation, which were too often focused on morality and sentimentality. Seinfeld was aimed at being anti-sitom.

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Of course, "Show for Nothing" was not exactly the terrain when Seinfeld and David first proposed the NBC show in 1989. The initial premise (As he had previously spoken from /film) was that Seinfeld would follow the daily adventures of a stand-up comedian as he spent modern life in Newoufor, collecting material for his stand-up routines. His many girls will provide him with material, as well as his eccentric friends, who are infected with a series of neuroses. And it was at least semi-autobiographical; Not only did Seinfeld play a version of himself, but David did not make secrets that the "Seinfeld" character of Cosmo Kramer (Michael Richards) He was based on his neighbor in the real life Kenny Kramer.

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That premise, of course, requires the fictional version of Jerry Seinfeld to have a regular team of friends to inspire him. Indeed, while the series was named after the central comedian, his three co-stars-Richards, Iaululia Louis-Dreyfus and Jason Alexander-Bee Equally important for the show. Jerry's experiences may have been the start of the series, but his friends were supposed to be there for inspiration.

The creators of the show agreed that Jerry's species had ceased to be the central character of the show with the broadcast of "The Busboy" (June 26, 1991). In that episode, the writers finally realized that they were working on an ensemble show, a phenomenon that spoke on the special features of the DVD -show.

"Busboy" is for guilt Elaine (Louis-Dreyfus) And Georgeorje (Alexander) feel when they make some flaptal, frivolous remarks in a restaurant that may have received a bus, Antonio (David Labiosa), fired. George and Kramer are trying to apologize to Antonio, but they end up spoiling his property and leaving his cat. Everything goes bad for everyone. Antonio eventually finds a new, better job, but even that happiness is undermined by the frakes of Elaine and her new boyfriend, who welcomed her apartment. The episode ends with injuries, Antonio is losing his new job and all are generally miserable.

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On the special features of DVD, Louis-Dreyfus noted that something happened to "Busboy" that he did not understand until later: the episode was not for jerryers. "It was a difference from the episodes that preceded him," she said. Producer Glenn Panic was the one who noticed that Jerryiers is difficult in the script for Busboy. Pandik theorized that Seinfeld, who was still writing episodes of the series, were for Inujubil in his three co-stars and was happy that he wrote episodes only for them (David and Seinfeld are credited for episode writers).

Pandik wanted to remind Seinfeld that it should be, you don't know, Starwar. Seinfeld's fruitful director Tom Cherons knew that Seinfeld was a Kindubez Co-Starvedza that wanted the show to be funny and it wasn't strict to suffocate all lives for himself. Asoneyson Alexander knew the meaning of it. "It has shown the generosity of the spirit that I cannot imagine in any other situation. He (Seinfeld) basically gave it to his co-stars show."

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After Busboy, each of the four waters of the show can be at the center of a story. All four actors shared the spotlight equally, and they were all equally funny. They were all nominated for more Emmy.