The Disney and Stitch watercolor masterpiece has become one of the most iconic films in the studio of its 2002 theater edition, especially compared to other films in the house hunting in House House (which was marked by floppy "Fantasy" and "Fantasy" and "Fantasy"). The story of among the pet's pet of a dysfunctional family, "Lilo and Stitch" captured our hearts with its vibrant characters, which exist in a world that includes aliens-fantastic foreigners and deeply felt human emotions.

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Indeed, virtually all Disney's previous recording imagined their classic 20th -century films, Starting from "Snow White" to "Beauty and Astver". Now, in live-action (or, more precisely, "live action helped by the CGI animation") Remake "Lilo and Point" has a remake not only become a boxing -chancellarBut it also marks the first animated characteristic of the era in the 2000s to get a big budget rearrangement.

This moment feels like canonization of the original "Lilo and Stitch" in the pantheon of Disney's biggest animated films. As such, it is interesting to learn that Chris Sanders-who co-rated and co-wrote the animated "Lilo and Stitch", despite securing the iconic voice of Stich-for-time project as a film as a film, as he explained in lip history of the movie by Vulture.

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Hawaiian culture and landscape are so rooted in the story of "Lilo and Stitch" that it is difficult to imagine going to anywhere else. But in the oral history of the film's production vulture, Chris Sanders told the story of how he initially created the concept of a completely different medium and setting up:

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"17 years prior to me even pitching 'lilo & stitch,' i wanted to do a children's book about this liter creature that lived in a forest. It was a bit of a monster with no real explanation as to which. was all about how he found a way to belong.

Stitch as a monster in the woods makes a lot of sense in retrospect, given how fairy tales follow a similar way. However, it was clear why Sanders and his associates decided to move in another direction, eventually landing on the idea of ​​being alien from another planet. After all, that decision requires a change in the scenery when Thomas Schumacher, a creative CEO of Disney, noted: "You do not want him to live in a world full of animals that do not know what a stranger is. Alien among animals is not as remarkable as alien among humans."

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Sanders agreed, especially when Schumacher showed the beauty of the Hawaiian islands and spectacular color combinations that can be found there. Sanders began to ideas of the concept and, in the process of creating this new alien, found himself the story began:

"I thought, if I said" foreign ", everyone would have a different interpretation of what it was. So, I'll make a book that has drawings in it, so they understand. I created it, in a sense, that children's book. "

Over the following years, the team created the film from Florida's distant clothing at the Disney Animation Studio (far from the Yingbopite eyes of the Honchos studio), and the results speak for itself. "Lilo and Stitch" lives through the constant expansion of a series of films, specials and TV shows and, yes, also children's books.