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One of the strange quires of the nearly three -decade franchise "Mission: Impossible" of action films is that while the series is known for its incredible jaw, the climax of these films is not always the most important part. "Mission: impossible - Protocol for ghosts"For example, there is an incredibly tense sequence in which the IMF's dedicated agent Ethan Hunt (Tom Cruise) scored the side of the tallest building in the world, Burj Khalifa in Dubai ... but that setup appears in the middle of the film, and the film ends with a combat sequence.

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Before now, perhaps the best final series of the series came in the movie "Mission: Impossible-Fallout" in 2018, in which Hunt must chase the anarchic terrorist Johnon Lark (Henry Caville), first by climbing a rope and then commanding a helicopter ... as long as he is in a helicopter. But that was then. With the arrival of the eighth film in the series, "Mission: Impossible - the last count", not only have the film that ends the strongest, but we also have the best action sequence in the whole series. Old Ethan Hunt was pleased with just climbing a helicopter as he increased through the mountain sky. The new Ethan Hunt raises the stakes by hanging on one bolan in the forests of South Africa and then jumping to another, all while thousands of meters in the air, and all while his reconfigured IMF team tries to help him save the world.

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Even Ethan hanging the helicopter in "Mission: Impossible - Fallout" is not the first time Tom Cruise has been hanged by the mass aircraft. The most famous example came in the starting scene of the movie "Mission: Impossible - Impossible - Impossible - Horn Nation", in which Ethan was hanging for his dear life on a very large aircraft such as undressed. But that scene, as strongly promoted as it was in marketing, was terribly short. Some audiences may have been wondering if it would be true of the climate trick in "Mission: Impossible - The Last Calculation", given how the ad campaign focused on the image of a cruise on two different bumps in the middle of South Africa. But what makes this sequence so superlative is that it is expansive and covers two critical pieces of climax.

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Ethan and his IMF team are in South Africa because they have one last chance to stop the evil AI known as the entity. The entity wants to take over all the nuclear weapons in the world and has received its digital hands to those of eight of the nine world leaders. All that remains is the United States, and there is only a few minutes before it can effectively break and bring true Armageddon to Earth. At the same time, unnecessary Gabriel (Esai Morales) wants to regain control of the subject and set up a less world destructive bomb outside the Armsday vault in South Africa. (That vault is so protected that the subject wants to get rid of it after receiving control of the American arsenal, because it will be protected from the devastating consequences.) While Gabriel and Ethan and both want to put a "poison pill" in the entity, Gabriel wants to do it for his goals. Gabriel is able to escape the firefighter before the bomb leaves, and he and one digger are taking two separate analog bumps to head security. Ethan gives him a chase, while the rest of his makeshift team is trying to capture the subject in the Doomsday vault as he stopped the bomb of killing them all.

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Director Christopher McCari is able to master the two separate planes of action here; There is a lot of tension on the non-ethanic side by itself. It's not only the team is trying to prevent a bomb from killing them, and it's not only they are trying to capture the entity before releasing hell on Earth. Benji Dunn (Simon Peg) would deal with technology ... In addition to becoming badly wounded, it means that the newly-fired Paris (Pom Climenf) must be a surgeon to treat the wound and ensure that it does not die on them. It also means that the beautiful and cozy pickup Grace (Haley Atwell) must break into the technical system of Doomsday Vault in the Benji instructions, and also to grab McGufin-ESK that would capture the entity ... but it can only grab it in a hundred or another.

And it is only if Ethan is able to grab that the aforementioned poison pill of unusual evil Gabriel, who cannot help, except to laugh at the view of our hero, hanging from a bila to stop. Aside from conspiracy machinations, what makes this sequence so amazing is the same thing that it has done other major action sequences in the "Mission: Impossible" franchise so unique. Yes, there is no doubt a certain level of digital scam in the game during the pictures of Tom Cruise hanging thousands of rates in the air below each possible angle of two rocket planes. Even for a guy as talented and physically capable of him, there would be security measures that do not appear in the final product. But the length and volume of this sequence along with the long shots recorded through the cameras The IMAX do so, so that VFX is involved, so effectively interferes with the practical image that is frightening.

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The other aspect that makes this last sequence so exciting is how it succeeds and echo past records in the series and feel totally characteristic in itself. Again, this is not the first time we have seen Ethan Hunt hanging an aircraft, and it's not the first time his IMF team has breathed up to milliseconds to prevent total destruction. The order also includes a satisfying death that feels a little reminiscent of how Ethan's first truly evil colleague, his old boss Jimim Phelps, died in the original in 1996. There, Jimim's body is entangled when a helicopter hung on the railway. Here, Gabriel tries to escape through a parachute, but is dragged into the body of the plane and his face is tangled pretty rough.

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And, even if the references did not feel deliberate, the sequence would be highlighted because of how Tom Cruise and Christopher McCarari gathered once again to create a jaw, a shame, absolutely death with the death penalty, simply to entertain those who would never meet them. As noted in our Review On "Mission: Impossible - The Last Consideration", this is not a perfect movie, and his first hour is particularly awkward and untidy. It takes a little too long to take this film, but as soon as it happens, it delivers shovels.

Tom Cruise has seemed to do everything in the Franchise "Mission: Impossible" to entertain the audience, to make them fuel in excitement, excite them and intimidate them with the boundaries of what the human body can withstand. "Final Consideration" pushes Etan to a limit that we may not have understood was possible before now. The end result is a rare case when marketing really cannot do justice to what is in the film itself. Yes, you have seen Tom Cruise's pictures hanging from the plane here, but you haven't really experienced the sequence until you see it in full. Then when we thought he couldn't get over, he came up with the biggest bang.

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