Raising the Ardwar of Chris Hemsworth was just as fast as it became. Unless you are from Australia (and, if so, congratulations), you've probably never seen the handsome young actor before he steals Star Trek's starting scene in 2009. Two years later, he will become a global supermitwire as Thor of Marvel's Chinese Universe. Therefore, it is smooth sailing for hotsy-totsy aussie.

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Interestingly, it all went by schedule, "Thor" would not be Hemsworth's first role. In 2009, before the announcement of Star Trek, Hemsworth was thrown as hunting, Jokish Starter in The "cab in the woods" by Dr. Goddard. The funny genre of genre was really more than an ensemble piece, but Hemsworth appeared strongly-which was completely deliberately deliberately given the surprising death of the character early in the film. If Goddard's film was released as originally planned on February 5, 2010, Hemsworth's profile will be the same in Hollywood. And this will naturally lead to his next mainstream studio film.

This plan was abolished because Hemsworth had an excellent accident to make two MGM films during one of the recurrent financial crises in the studio. In this case, the film shelves (originally scheduled for release in the fall of 2010) was not the worst thing that happened to Hemsworth. Not only did the wind as a mass flop when it was finally released two years later, it was also a 1984 escapist remake that failed to make much sense in its updated form.

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Johnon Millius's "Red Dawn" is a relic of blood from the Cold War era. The stunning story of Colorado's high school students, leading the guerrilla warfare of an attacking horde of Russian and Cuban soldiers shamelessly capitalized by US fears of World War II. The time of release of the film could not have been more perfect. The Americans desperate to reduce Vietnam's big big LL, prepared for action films that supported the country's military power or the warrior spirit. "Red Dawn" achieved this while attracting teenagers to multiplexes who were tantalized by The ratings of the movie "Newlyed PG-13".

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For years there has been talk of "Red Dawn" years before producers Trip Vinson and Beu Flynn to step up in the late 2000s with the field that will work within our reality after 9/11. In this film, the invasion of the United States will be accelerated by the financial crisis in Europe that has left America's military to spread too thin at home. It is very much to swallow, but Millius' premise was not very reliable. The film's creatives just had to collect an attractive team of young actors and work with the script that was opportunistic for our 21st century fears just as effective as the original film in the 1980s.

Millius and the legendary casting director Etennet Hirscheson ("outsiders") hit the Bussey through the Ensemble board involving Patrick Swezz, Charlie Sheen, Leah Thompson, Ennenifer Gray and F. Thomas Howell. 25 years later, the director of the Red Dawn remake, Dan Bradley (a second unit veteran known for his action orchestration expertise) and the casting team of Deborah Aquila and Tricia Wood landed a terrible talent in Hemsworth, Oshosho, There was no reason this group could not earn the interest in rooting the audience.

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They just couldn't burst the script. A factor in MGM's inability to release this film and the "cab in the woods", both films, rightly or wrong, were considered problematic productions.

The "cabin in the woods" and "Red Dawn" and both moved to the box office, but the first quickly became a cult favorite and mainstream. We no longer talk much about Bradley's "Red Dawn", and there is a very good reason for this: it is thoroughly forgotten. I covered the movie when I came out and interviewed two of the actors (Paliki and Huverson) and I can't remember any work. I just had to look at the conspiracy synopsis to remind myself that the character of Hemsworth (modeled by Edid Eckert at Saint) buys it in the third act.

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For this reason, I'm not sure I can call Bradley's "Red Dawn", a bad movie, in itself. I remember going out, but I felt like I was at least watching a competently made action. There was simply no sense of patriotic goal (for the better or worse) that prompted Millius' film, which left his game to fight to give the film something that resembles a pulse.

Hemsworth skipped the aforementioned Press Day and also refused to attend the premiere of the 2012 Fantastic Fest. If there was a contractual obligation to promote the film, he apparently received his representation to negotiate for him. The best I can say is that there is a "red dawn", which means that all lanes craftsmen have paid to make a movie. As long as everyone was paid, I don't have a quarrel with the Red Dawn remake.

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