Edgar Wright's "Three Cornet Taste Taste" trilogy is called because each film has a different taste of the cornet, but there is a little more than that. Each film, written by Wright and Starweet Simon Peg, is also a different taste of the film genre, playing with the tropes of the genre cinema, while still maintaining a lot in common (just like ice cream). The first film that came out chronologically was "John of the Dead" in 2004, starring Peg as the title John and Nick Frost as his best friend Ed, a few guys in the early 30s, who must oppose the full apocalypse of the zombie, and it showed the whole world that could.

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The next film in the non -traditional trilogy was "Hot Fuzz" in 2007, raiding the action cinema, and the final film was "The End of the World" in 2013, dealing with the genre of science fiction. None A truly correct order for watching movies Because they are connected thematically and through things such as repetitive visual panties and shared castes, but each has a totally unrelated story with some of the same actors playing completely different roles.

Which of these films is the best, however? As the flavors of ice creamThe preferences of all are different, and there is really no wrong answer when you try to rank the Corneto trilogy because all three films are extremely fantastic. There are attractive arguments why any movie could be the best, but here's my ranking, from great to the biggest.

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"John of the Dead" is both a romantic poor comedy and an intense zombie horror film, following John and Ed as they try to rescue recent former former John, Liz (Kate Esfield) and his mother, Barbara (Penelope Wilton). "John of the Dead" introduced the world to the concrete comical sensibilities of Wright and Peg, and also succeeded in all the genres in which he plays. It's a pretty difficult task, but "John of the Dead" is surprisingly romantic, wildly funny and also incredibly scary when he wants to be.

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Fighting scene with zombies - sorry, you have - set to the Queen "Don't Stop Me Now" is a great example of the Madcap Action Style on Wright, ending with a brutal, glorious death. (The taste of the cornet shown in "John of the Dead" is strawberry, which feels appropriate given the pink and red blood, the brains and intestines on the screen.)

Although "John of the Dead" was aging surprisingly in his comedy, Save for one jokeOne thing that prevents him from being the best of the "cornet" is that his characters are pretty immature and his lessons are blurry. Of course, it is a story of the LOVEUBE and friendship by overcoming allBut the lessons of growth are lost slightly in the blood and intestines. Fortunately, as Wright and Peg have matured as people and directors, their films also matured.

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The second film in the "Cornetto" trilogy slightly increases the quality, stepping into the genre of action with a Buddy police officer once again starring Peg and Frost. This time, PEG plays a highly efficient and qualified Metropolitan Police Sergeant Nicholas Angel, who is redisputed to the small rural town of Sandford, Grestershire, where he is a partner with an extremely incompetent Frost officer, Dani Butterman. The two reveal some seriously gray business activity in the city when there is a series of mysterious, violent deaths that leads them to have a good friendship and work partnership.

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It is a pretty perfect film by Buddy Police from It shows Wright and Peg's cleanest: Their Loveube to the Action Cinema. There are donations to the Cinema Zombie in John of the Dead, but Hot Eve Fuz is an extremely Love -Board of Action Films around the world. The taste of the cornet in "Hot Fuzz" is the classic, the original vanilla with chocolate and nuts, and it is the purest distilled film of the three, thematic.

Take a look, "Hot Fuzz" is amazing. It's pretty perfect, taking the good parts of the "John of the Dead" and improving on them, and there is Many great arguments that it is the best film on the trio, But the last film in the trilogy is by far the most emotional and characterizes the most important message.

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Both the "John of the Dead" and "Hotge Fuz" use great adventurous animals or death adventures to help her emotionally stunned central characters grow and change. In John, John has to grow up a bit to survive and conquer Liz's Love, while in "Hoteces Fuz", Nicholas Angel must release his obsession with a little to live a more fulfilling life. In "End of the World", a 40-year-old alcoholic Gary King (PEG) wants to experience his glorious days with his friends And he can't wrap his head around aging because he feels left out of the world and his friends. As they go to the pub crawl that his friends clearly do not want to be involved in order to start, they realize that many locals have been replaced by robotic replacements, as a super high-tech "invasion of body kidnappers".

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In order to try and avoid suspicion, they continue with the pub, gradually working through some of their problems before facing other people responsible for replacement in the end. Finishing the film is just as complicated as his protagonist, making a very divided film from his predecessors that satisfy the crowd. But "The End of the World" is a middle -aged film that allows its lead to be both relative and contemptibleAnd it is a reminder that the most beautiful part of human nature is our free will and what we will do to maintain it.

The taste of ice cream in the "end of the world" is mint, and although it is probably an unusual joke for green strangers, it is also a perfect example of more mature flavors present in the film. The older it is, the more they relate to the "end of the world" and hey, life becomes more complicated as you get older, so do the films that reason. It's really a shame that we won't get another movie about getting into your 50s or 60s, as it would be an explosion to see that the crew handles another genre and deliver even more finished, potent life lessons.

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