In the wider culture, Mr -Robot is known as a show that started great but quickly conveyed in meandered chaos. You can see this by how the ratings have fallen sharply with the second season. By the time Season 4 aired in 2019, the play was on average just over a quarter of the viewership returned in 2015. Season 3 and 4 may have been well accepted by critics and remaining fans of the show, but that was not enough to persuade viewers to return.

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Among the fans who held up to the end, Season 2 is still known as "bad", the season warning new viewers ahead of time. The narrative is that this is the season through which you need to fight to get to the Season 3 and 4 Award .. But for one I think it's a lack of narrative. If I leave this country, it has only done one thing, let me change a few minds for the secret masterpiece -which is the Season 2 of the "G -robot". It wasn't good enough, make the place #1 on this list, but it becomes pretty damn.

Please enjoy my ranking every season "Mr. Robot" from the worst to the best. And, if you have an order problem, you can download it with my alter-ego, which is responsible for every download here you disagree with. (Everyone agrees with me, written by me.)

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Attention: spoilers below.

I think part of why the only season 1 has won a widespread LOVEBOOK for the audience is because this is the "Mr. Robot" of the simplest. It is a season for a mental-painful ingenious hacker that is recruited to download 1%. It is a show at the center of a clear protagonist in a standard good fight against evil. Even the twist with Eliot's double personality, while sometimes convoluted, is comforting; The audience had previously seen all these shots with David Fincher's "fighting club", which show -show Sam Esmail is open for inspiration.

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The result is that, as stylish and exciting as season 1, it's the most basic show. If you've seen the "combat club", you can say almost exactly where everything is going. The look of the show is also found as a little too naive here, perhaps deliberately; As we will see the full consequences of Eliot/Mr. The war of the E-Corp robot in the coming seasons, the social comment on the show is growing more shade.

The biggest problem with season 1, which is not really a problem, but a necessary side effect of the show that sets its big turn, is that it holds all the characters that are not Eliot in the length of the hand. Darlin (Carly Chaikin) is one of the best characters on the show, but you wouldn't know him here. Because the show needs to be built until she is discovering that she is Eliot's sister, Darlin cannot even show that she communicates with Angela (Dubbledi's serving) To the episode eight.

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I care that I was too much for season 1 in this record, so to be clear: it is still amazing. It is the season that has established the unique visual style of the show, and this is the only season in which Tyrell (Martin Wolfstrom) gets the appropriate time at a short time he deserves. He is also the only season with the gorgeous Shaela (Frankie Show) around; It was sad to see how she was going, but the man was the intestines of her death well.

There is a lot to be loved about Season 4: There is an exciting episode without dialogue, halfway, the game -changing therapy reveals two episodes later, the climate drop of Whiterose (BD Wong) and so on. I am and the fondice of that "twins peaks"-esk Final with Eliot who hangs out in an alternative reality. (Of course, "Mr. Robot" is simpler with the handling of this alleged parallel universe, but it strikes many of the same emotional blows). Season 4 was a bold, satisfying conclusion for the series; If only all last seasons could be so strong.

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If there is a problem here, it is that Tyrell and Angela are seriously with origin. It is often rumored to have been five seasons, but Sam Esmail condensed the last two in one; The anticlimactic death of Tyrell and Angela looks like a clear side effect of that alleged choice. Although it is possible that neither Angela nor Thirrel should have had happy endings, it is difficult to imagine that their Arcs of Season 4 (or lack of them) were the plan set the finale of the season 3. It is simply inconvenient to have Angela ending the season 3 as she did, only to kill her five minutes.

Rumors that Angela was killed because of a conflict behind the scenes with a Dublei serving have never been proven, but it's easy to understand why they are so popular; Angela's death felt As something forced in the show with circumstances in the real world. In the end I think The show handled the outcome of Angela's death as well asBut I would prefer a version of the show where she had to stick a little longer. She could still be killed, but she could probably let her get a few kicks in Wethosis before leaving?

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My other problem with Season 4 is that the world feels less than in seasons 2 and 3 .. There is a great monologue given by Philip Price on how Viritos is almost independently responsible for everything that happened in this world; The point was to determine how a great frightening villain, but also returned the social comment to the show back to its 1 levels of simplicity. Season 2 and 3 have found that viritosis is the result of capitalism and deals with amok, while Season 4 acts as capitalism running Amok is the result of white. The former takeover was more interesting.

Is the Season 2 a bit slow to start? Surely. Was the whole Prison reveals a little? Probably. But I would claim that the decision of Season 2 to put Eliot on the sidelines for the first half is the smartest choice he has made so far. It allowed Angela, Darlin and the new home (Grace Gumer) to take up a central scene, and they are all incredible. Season 1 was the Eliot show, with Angela and Darlin forced to roles of lateral character; Season 2 transit the series into an ensemble piece, and it is far more stressful and unpredictable.

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What I consider most refreshing for season 2 is the way it accepts the difficult part of the revolution. Season 1 It follows all the general rattlesnake of "Fight Club", ", But the "fight against the club" ends only with the explodes of buildings; Season 2 focuses on what is happening after the smoke is cleared. It turns out that there is nothing fun or romantic for a great revolution in society; It is brutal and deadly, with constant failures and unexpected consequences. Season 2 still occupies the Fsocience side, but there are no illusions of the mental number that take their actions on them and the world around them. They are struggling with regret and begin to interrogate their ideals, as everyone would lead to the second big depression.

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The best part of Season 2 is Angela, who sacrifices her humanity (and her relationship with her own family) in trying to download e-Corp from within. Pordyu Doublede gives a whole life, as Angela works through some of the toughest, most complicated material in the series. I think no one on this show is as interesting as Angela here, trying to try Sisyphus's impossible task to navigate this corporate world with its sense of itself in tactics.

Season 1 keeps Angela on the sidelines and retains most of the season 3 in length (due to her unhappy brainwashing of Vitoros); Season 2 is the only part of the "M -robot" where Angela really has to shine. For this, it will always hold a special place in my heart.

At least for critics, this is the season that proved that the "Mr. Robot" still had it. Season 3 is barely controlled chaos all the way, filled with some of the most surprising and surprising moments in the series. "EPS3.4_RUNTIME-ORR0R.R00", the episode seemingly recorded in one download, is still One of the most ambitious (and most successful) episodes of TV ever madeOnly for the next two episodes to become more crazy and darker. That the three-episode is probably the culmination of the entire series, the period in which the first two-thirds of the play was built and the last third of which responds.

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And, although I have to boast about how efficiently is the setup of season 2 for a Love Season 2, Season 3. What is also nice is that season 3 is the only season that never lies; Season 1, 2 and 4 everyone reveals that it is radically reshaping everything we have seen before, but all the big discoveries of the season 3 are things that are happening in the real world of the show, not in Eliot's head. That's a smart choice, because the prison detection really pushed last season.

Perhaps the best sign of how well the show has appeared to was in the final of the season 3During the tense sequence where Darlin has a gun shown on his head. In most performances you can usually say when a character dies, but this scene really feels like it can go in any way. When "Mr. Robot" threatens to kill a character, you believe it. (Predicting it is not Eliot). This makes the later seasons especially stressful, because by then we loved the characters that are not Eliot.

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I have always considered Mr. Robot Season 2 and 3 as a giant season divided in half, with season 3 being a great explosive payment of slow and stable Season 2. Season 3 of the "M -robot".