Netflix may have just delivered a gift to cinema fans In the form of a Hitchcock collectionbut also has yet to make up for the horrible "Electrical State", its most expensive film and the worst of Rousseau brothers. More in the way Hitchcock compendia can help in this regard, but not if Strimmer also continues to fuel things such as the Indian Heiist thread "The jewelry thief - the helicine begins".

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The shareholder must see "RRR" He received international attention in 2022, becoming the conflict of box office and even conquering the best original Oscar song. He then expanded his audience when he struck Netflix in the United States, and since then a constant influx of Indian shareholders has found his way to a stream at home. It should be noted that there is also a number of decent contributions from the country. In 2023, for example, the Indian crime drama "Yaan Anan" enters Top 10 on Netflix Top 10 And well worth seeing. Next year, however, we got more strange activities in the form of "Animalivatous", Indian Revenge Film for Action, breaking the way through Strimmer's charts all over the world. Now, "Jewelry Thief - HEIST Begins" is here to continue the trend.

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Unfortunately, unlike Tollywood's hit, which was "RRR", Bollywood's latest attempt to Hayist's good movie seems to have fallen flat with critics. But does it really matter when it also managed to dominate Netflix's top charts? Well, yes, but still.

"The Jehovah's Jehovac Stone Thief" is an Indian thriller of Hindi-Jazik by directors hooks and Robbie Graval. Saif Ali Khan Starswells as a thief Rehan Roy along with the Mafia chief of Ahlavat, Rajan Aulah. The story is seen by Roy as designed to steal the African Red Sun gem as he tried to overcome Aulah and the detective of Dodge Kunal Kapur, Vikram Patel. Thief Thief comes from Marflix Pictures Siddharth Anand, the production company behind War and Pathaan, and is described by Netflix as a "blinding speech and excitement that can only deliver Marflix and Netflix.

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If you look at the critical reactions of the film, however, it seems that the "jewelry thief" has failed to live up to such a refund. But it is a different story of Netflix charts. "Jewelry Thief" hit the platform on April 25, 2025 and according to FlixpatrolA page that tracks streaming services has quickly become a global hit.

The "Jewelry Thief" entered the US tables on April 26, taking place number 10 before climbing the number eight the next day. Since then, the film has been hovering across the same area, but given its impressive global performance, it can rise to a higher level very well. During the writing, the "jewelry thief" is shown in 79 countries and is number one in five of them, including her native India. The film is also number two in 16 countries, all that allowed him to take the number four of the World Top 10 of Netflix.

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Like the "jewelry thief" opposed Netflix, reviews are simply not very good. The film currently has a poor score of 8% Rotten tomatoesWhich, although based on only 13 views, is not the best ad for this Heist thriller. None of the three so -called RT's "Top Critics" liked the film, with Shuahra Gupta from Indian Express Criticizing the way the film is "so lazy constructed that it doesn't even struggle to think about a new one, even a new title". Hollywood reporterMeanwhile, Rahul Desai was fueled in thinking about the streaming sphere as a whole and the negative effect on movies, writing, "the problem of frivolous cinema today is its templation, because streaming algorithm fueles self -awareness."

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It just gets worse from here, with Indiewire Rejecting the "jewelry thief" as "self-serious acts of Vanabe's drama", while Hindish times "The" jewelry thief "seems to be titled" Thief of Time ". It stole two hours of my life for a story that was simply ... predictable. "

This is not the first time we saw a terrible streaming movie dominating Netflix charts; Just look at the time Kevin Hart's "elevator" inexplicably hit Number one on Strimmer. But 8%? It's rough. Not that directors or Netflix necessarily care. As the film continues to dominate, it can have a chance to take the number one globally, which is currently occupied by Hyper-violent shooting by Tom Hardy and Gareth Evans "Havok".

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