The chaos director knows the shootout is unrealistic, but it makes sense for them

"Havoc", the new action film by writer /director Gareth Evans, is on the most anticipated movie list of the film for about four years. When We first learned that Tom Hardy would join the director behind "Raid" For a trip to a corrupt underworld, we were thrilled. But thanks to Kovid, strikes and some good old -fashioned scheduling problems, it takes much longer than we expected to see the film. The film is finally on Netflix from today, and while your mileage may vary depending on how it proved to be a whole (you can Read /Movie Full Review of "Chaos" here.

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I recently caught up with Evans to talk to him about designing those uploadersincluding the climate confrontation that takes place in Walker's fishing hut (Tom Hardy). As you can expect from a high-octane thriller, the footage is starting to fly quickly and furious, as the characters are approaching the site, and the whole place and several villains are absolutely destroyed until the last explosion takes place.

"What was really fun for that sequence was the design aspect, because along with Udeud Poyer, my trick coordinator, we look at each sequence and review every little rhythm of it," Evans told me. "Not only about the cameras and editorial points and the action itself, but also where things come from. So we knew we were paying tribute to Johnon Wu and Ringo Lam and Johnoni with this film, but when it comes to firearms in that fishing, we knew we could overwhelm."

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Gareth Evans knows you will use the shooting in chaos

Hong Kong cinema troops are crystal clear in the way "chaos" characters release weapons: if one shot is shot, it is a good bet that dozens will follow, until the piston is unloaded and the body of the other end is bloody, pulp. It is an over-turn approach where the excessive nature of firearms is the point; It's not real, in itself, but if you've seen movies like "hard -boiled" or "killer", you've seen this before.

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Evans is fully aware that there is no stopping the stickers that will encourage glasses and "good, in fact" these shootings because they indicate the amount of ammunition cracked by these pistols far surpasses what would be possible in the real world. But although he and his team have spoiled the numbers a little on that front, there is a method of their madness that viewers can follow if they choose. As Evans explained:

"Every time the characters embraced a pistol, they would throw it and recycle and grab someone else. So, what it meant was to have to understand and orchestrate which triad members would collapse through the windows and enter the rooms and what pistols would have been with them. specific), because I know there were people who complain about the people who happen, oh so that so, so we can complain.

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You can hear my full interview with the writer /director of today's episode of /film daily podcast:

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Havoc is now moving on Netflix.



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