Everyone was supposed to expect a big, climate finish of the Andro Season 2, Episode 3. Season 1 made a trend of multi-episodic arc, each delivering a high climax at the end: the Corporate Security Calculation of Ferix, the imperial payroll of ADHANI, ADHANI, Since Season 2 lasts a year of jumps between each group of three episodes, it was natural that the trend would continue, and the first bow of Andor Season 2 ends in Meltrom of editing with Mon mathma (Geneveweve o'rein) in his center.

Ad

The main action of the episode is far from Chandrila, where the MES was busy with the whole bow, which hosted her daughter Laida (Bronte Carmihael) wedding festivities. Instead, the last 10 minutes or so mainly focus on Cassian Andor (Diego Luna) while returning to the Mina-Rau agricultural community, where Bix (Adria Arjona), Wilmon (Muhanad Bahayer) and Brasso (Opoplin Sibtine) were hiding after leaving him. But with each other with the intense struggle of Mina-Raou-Ono, Brascha dead and we get footage of wedding reception, which has a frightening portrait of Mont Motma, making shots and dancing wild at NIMOS Music 1.

To be fair, the MES has a lot on its plate at this point. She should be happily celebrating the marriage of her (very young) daughter in the tradition of Chandrilan with whom she deeply disagrees with. Of course, the only reason the wedding is happening is at all because the MoES needs the groom's father, Davo Sculadun (Richard Dylan), to help hide her finances related to imperial eyes. To overcome it, she just sent one of her oldest friends, Tay Colma (Ben Miles), to be killed by Sinta (Varada Setu) on the order of Luten Rael (Stellan Scarsgard).

Ad

Pretty every scene by Mont Motma on this opening "Andor" season 2 The bow is in a desperate need for sertraline recipe. The scene of the opening of Chandrila in Episode 1 has a single debt monitoring of the MES for almost two and a half minutes. It is a kind of reintroduction that allows you to know immediately that you will not breathe much this season.

Ad

From the flowing clothes and bright colors to nausea, classic ornaments, the whole chandrilla company is approximately as claustrophobic as it can be. And things only get worse when Tay comes to Mon with some personal problems. Take a look, the crisis in middle life can be mildly disturbing to your friends and family under regular circumstances, but when you are a banker for the rebel alliance, and your wife has just left you, and you feel like your monetary compensation is insufficient for the risk you have taken, the same crisis becomes far more dangerous. Tay's re -(and, at times, drunk) demands money to convince Luten that the only way to secure it is a silent hit, which MES opposes fiercely, but eventually allows it to happen.

Ad

Her podium at the end of episode 3 is "Andor" at best, gathering all the terror of hiding a common page, the blame of dirty works, the suffocating splendor of rich imperial life and the attractiveness of hedonism during heart brutality. It is blisting, frightening, a wonderful moment that will surely hit at home for anyone living under the madness of the mind of an imperial state. We can see that no matter how frantically it can move, it can not dance fast enough to avoid breaking weight, well, absolutely everything.

When you compare Episode 3 of Season 2 of Andor Episode 3 of Andor's Season 1You will also find striking similarities and differences. Both end up with Cassian leaving a planet after an imperial attack, though this time around, he is the he who flies the ship, not the one who is driving in the back. There was a sacrifice in the third episode of the first season, but it was Timm - skiers, a retaliating man who may not have deserved today, but was also not mourned by most fans. Here, the victim is Brasso, someone we cared for deeply during the show. It is without mentioning the attempt to rape the Bix by an imperial officer, who fortunately fled and kills.

Ad

Combine it all with the chaos of the great dance scene of the Mont Motma, and you have the first bow that feels more chaotic and gloomy. Of course, the "Andor" season was not very twins and rainbows, but the end of his first bow at least left you with a sense of calm. Here, the last moment before the credits is the swivel dervish of current wedding clothes, recorded in such a way that it is impossible to say what is actually happening before the black screen is reduced. It is the end that aims to leave you to feel tense, manic and unsolved - a kind of announcement of any social media platform on any day of 2025.

Perhaps the most striking thing about Mont Motma's psychedelic dance is her husband's stroke with Perin's dirt (Alaster McKenzie), staring at her from the whole room with real concern. Maybe he is the worst, but he also admits how lost and desperate his wife at that moment.

Ad