This article contains spoilers for "sinners".

Part of what the vampires have done as influential film monsters for a better part of the past century is to see how these bloodshoters have developed in tandem with the medium in which they have progressed. Their Chinese immortality serves as preserved legends for the next wave of directors not only learn from but also to expand. You can gather so much of the creative gap between Carl Theodor Dreyer's "vampire" and Dracula's "Horror of Dracula" on Terrence Fischer, "as much as you can stretch between Catherine Bigelow's" nearest dark "and" The Girl Go Home to Anna Lily Amirpur ". Even Nosferatu recently had a visual conversation about his joint heritage between JV Murnau and Robert Egers.

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It can be said to be said that any conversation about the most prolific vampire films of the 2020s would be nearly impossible without the involvement of Ryan Koggler's "sinners". /Ereeremi Matai's film there was nothing but the greatest praise for the ambitious horror epic of Koggler in his review And I couldn't agree anymore. "Sinners" are so visual and sound exciting piece of fun to bite. It is clear that Koggler wanted to go for more than the traditional vampire film, as the film is western, horror film, blues -Musical and creature, all rolled in one.

Koggler's work, aside from his debut feature "Fruttale Station", primarily existed in the area of ​​adaptation. But what makes an interesting director, however, is how he is able to present famous characters, settings and topics in a package that feels like telling these stories for the first time. "Creed" and "Black Panther" are so unique in their existence. "Sinners" feels particularly noticeable because There are so many influences inflicted on her DNA but still comes out of the other side as a completely original piece of movies That the next generation will use it as an inspiration.

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You can see views of everything, from Robert Rodriguez ("from dusk to dawn") to Steven King ("Salem a lot") and Ernest R. Dickerson ("Demon Knight"), but has a spectacular sequence in which Koggler pays tribute to the great Johnon Carpenter.

"Sinners" are very effective in maintaining tension because it passes the first third, allowing us to boil these characters in the world in which they live. It makes it much harder to stomach when Jackec O'Connell's red eyes come A-tropa and make problems for everyone. The safe shelter of the UKEUK club gets a rough awakening, as various party faces are starting to turn into a collective vampire for dancing out. Of course, the few who handled inside began to doubt whether the person was turned to them or not. Removing the page Johnon Carpenter's Horror EP, The Thing, The owner of the club owner (Michael B. Jordandan) suggests a test to destroy anyone who could lie.

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Although Koggler's vampires are completely original creations, he uses their weaknesses at the time of time like sunlight and wooden deposits to catch the audience expectations. In "sinners", the smoke passes through the jar of acidic cloves of garlic to exclude all immortal fraudsters that hide between them. The grace of Lee Jun Lee lifts some eyebrows naturally when he protests that he should eat one. When she finally eats it, we are able to relax for a moment, but remember that my heart descended when Delta Slim of Delta Lindo had a negative reaction to it.

I had to prepare for potentially one of the best characters in the movie, a blues musician who can play medium accordion, to bite the dust. But fortunately, tensions are currently facilitated when it is revealed that his response was not because of acute vampirism, but because garlic makes a powerful mixture with all Irish beer, the smoker pair gave him all night. It does a great laugh, but as it goes, relief does not last.

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At Thing, it is Kurt Russell's macrey who sets the remaining Arctic survivors to extract blood and see if the heated wire has a reaction. There is a reason why it is one of the most uncertain scenes in any horror movieBecause the tension of losing the character we have grown, can be unbearable. The garlic test is a great example of paying tribute without dipping in complete emulation. It is not at all surprising that Koggler is a Carpenter's fan given that he has a huge "The Thing" poster in his office (through Media for the proximity).

There is a beautiful sequence of the jaw around Midway where the vocal talent of a remarkable blues player Sammy (Miles Catton) opens a metaphorical anachronistic musical rift over time. This is the best way to see the "sinners" as a whole: a series of influences through genres, directors and tropes through different media that encourage a brand new vision in the process. For a moment, Koggler and Carpenter sing to each other.