The early 90s were an exciting time for animation. During the eighties of the last century, mainstream commercial cartoons became, well, ads, many of them owned by toy companies and just put in production to advertise toy products. The new cartoon shows would not be green, unless they own a "mark", which means they were "IPS" (to use modern Lingo).

Ad

This excessive commercialization has a deeply branded generation, but has caused the story to suffer. Certain animators suffering from the Reagan era began to branch out in the 1990s, and the world suffered a sudden explosion of creativity. Animators like Johnon Crickphaluses (whose achievements and rough behavior are also chronic Documentary "Happy Happy Joy Joy: The Story of Rehn and Stampa") And Mike Judge began to animate aggressively raw, playful subversive shows like Ren & Stimpy Show and Beavis and Butt-Head, respectively. Elsewhere, Spike and Mike's exhibitors began to surround theaters with classic animation titles and their trademark sick and twisted series, while South Park was on the horizon.

Ad

During the 1990s MTV, the landscape was wide and miraculous. From 1991 to 1995 "Liquid Television" also marked Mike Judge's debut and showed the first æon flux episodes.

When "Bvis and Butt-Chair" proved to be a huge hitMTV Greenlit "Brother Grant" along with a two-in-one TV series called "unusuals". The latter changed back and forth between the episodes of 11 to 13 minutes of two different animated shows, both strange and miraculous. It started with the "head" - a teenager series with a foreign parasite living in the skull, causing the head to grow up to six meters higher - and was rounded out of Maxx, adapting the title of a comic book image created by Sam Keith.

"Especially" Maxx "was supposedly a superhero show, but undermined the tropes of the genre at every turn. Instead, it was much more interested in uncontrolled misogyny, the trauma cycles we attend to other and psychological damage done by sexual assault.