In 2019, Captain Marvel introduced us to all Bri Larson's combat pilots turned into superhero Carroll Danvers and, obviously, we were all thrilled to meet her. The movie made $ 1.1 billion The global treasurer and even managed a very respectable 79% of Rotten tomatoes. Larson's new hero was, it seemed, a welcome accessory to Marvel's film universe, which was yet to enter Nadir, which has been the last few years for the franchise.
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The sequel to Captain Marvel, however, now represents that Nadir. 2023 "Marvels" was, like /film, Jeremy Matai, wrote in his reviewA cosmic disappointment that could barely get off the ground. By the end of his theater race, "Marveli" have become the lowest-rogue-movie MCU everBruta only shy of $ 200 million globally. It's bad enough for a movie that is part of the largest blockbuster franchise in history, but it's even worse given the film cost $ 300 million in making.
With righteousness, that would be a funny budget for anything movie, McU or otherwise. The Marveli pointed to a bigger problem in HollywoodNamely, the studios simply spend too much on the films from late. But how did the budget first reached $ 300 million? Well, it seems that much of the problem was that Marvels suffered four weeks from reshapingWhat, according to DiversityIt was an attempt to "bring coherence in the intertwined story".
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For director Nia Dacosta, who also co-wrote the script of the film with Megan McDonell and Elisa Karasik, seeing that the film performs so badly, it was not easy because it sounded like the final product was so much of its original type that it was no longer even her film.
Marveli were not the movie that Dacosta wanted to do
Nia Dacosta, which is scheduled to direct the upcoming sequel "28 years later", He proved himself as a versatile director at the moment when he entered the MCC, with the crime-drama "Little Woods" and the "Candiman" sequel in 2021 already under her belt. That is one of the reasons why It is not very fair to blame the director of the failure of "Marveli", With the other being, the large parts of the film's production were out of her hands. Now, Dacosta spoke more about that aspect of film creation.
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Speaking at the second annual screening festival in Dublin (after Comicbookmovie. "They had a date and they were preparing certain things, and you just have to rely on the hardcore process," Dacosta explained. She also discussed how she and Marvel Studio were different in their approach to filmmaking:
"The way they make those films is very different from the way, ideally, I would make a movie, so you just have to rely on the process and hope for the best. The best hasn't happened this time, but you have to believe in the machine."
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Dacosta sounds as if it is as much as possible here, especially given her memory of the moment when she realizes her original understanding of the film just won't happen. "It was interesting," she admitted, "because there was a certain point when I was like," Okay, this would not be the film I was filming, and even the first version of the film I was filming. " Learning "and claiming that it ultimately" makes you "chain" as a "filmmaker" in terms of all work "describing experience as a" learning curve "and claiming that it eventually" makes you "chain" as a "filmmaker" in the possibility of moving in. "
Marveli were doomed to ruin before Niia Dacosta even came to the ship
There are many reasons why Marwells will remain an infamous entrance to MCU, but much of the problem was that the film simply had too much orbuses to the franchise to climb in its duration. The 33rd film by MCC has tied the strands of many other projects, the first of which is the Disney+series, "Vandavision", featuring Monica Rambu's debut (Tejonach Paris), daughter of Carroll's best friend, Maria Rambeu (Lashana Lynch). Then there were "Ms Marvel" shows a breath of fresh air for a superhero It introduced us to Iman Velani Kamala Khan, Pakistan-American high school student, who gained the strength of Captain Marvel, thanks to the mysterious fever, which was in her family for generations.
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After this, MCC fans were subjected to an absolute traverse that was a "secret invasion", a Disney+ series that somehow managed to make the international Spycraft and what remains one of the biggest comic book events in Marvel's history, as a boring experience as MCC has ever fueled - and says something. The show is noticeable only for the way it ends with Samuel L. Acksexon Nick Hughes and Vara at Charlin Wuard, leaving the country to negotiate a peace deal between Shall and CR, both were introduced in Captain Marvel.
You may start seeing why the "Marveli" may not have been a hit Kevin Jegie and Co. hoped for. All of these graceful details and unnecessarily complex world -class attempts will be bad enough if they weren't so boring. By the time Marwels debuted, then most fans checked out this convoluted story chaos, so imagine how interested a general audience was. .
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