Although in the minority, I don't mind the movie that makes Ridler in Hush, because I never found Thomas Eliot as a Hush as a satisfactory response to the comic book. The whole point of Hush is that he is an intimately familiar and obsessed with Batman, so inventing a new character to fill that role has left little influence. Plus, even in the comic book, Ridler is Real Success, so that the film's turn is more trusted to the original material than you would think.
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Now, where the film falls shorter is Ridler's fate. In the comic, even though Ridler knew Batman's true identity, he was still losing. As Batman seizes, Ridler's forcing will prevent him from spilling the truth; He cannot reveal Batman's identity, because what is good is a puzzle if everyone knows the answer? In the film, Ridler falls on his death in a melted pool; Batman (Asoneyson O'Mara) is trying to save him, but Catwoman (Ennenifer Morrison) allows him to fall. Both the original and adaptation end up separating them, but in the film, Ridler's death is a point of breaking.
From "Halloween", Loeb focused a lot on Bruce Wayne and Selina Kyle's romance. "Hush" is based on this, as Batman is slowly allowing himself to trust Catwoman, while Selina understands the two men they are in the same person. In "Batman" #615, Batman takes off his mask and shares all of himself with Selina: "I have two halves. I want to be part of both."
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The animated "Merfa" rightly understands that Complicated LOVEBOV of Batman and Catwoman is the core of the story. For all film reductions, everything is kept for that connection. But like Batman and Catwoman, "Hush" (and the entire Batman's saga of the lob) Two Hearts, and the film completely leaves the other.
That would be Harvey Dent/two. Although the absence of a team of sales has mad the relationship a bit, Hush is a spiritual sequel to "Halloween Long Night". That comic book is everything for the fall of Dent; How he goes from Gotham's ombudsman and Batman's ally to become one of the super-negative "scams" in the city. Hush is a ransom of Harvey; Eliot uses his skills for plastic surgery to repair Harvey's face and heals his mental scars. In Hush's latest chapter, Harvey saves Batman and beat Eliot. Batman lost a friend, but maybe another.
A sharp appearance of Hush also causes the design of two persons from The most influential comic book in Batman ever, "The Dark Knight is back" by Frank Miller.
Hush is a very villager designed as a mirror image of Batman, but no villain fulfills that role, as with two people.
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"The Dark Knight returns" suggested that even the operation to heal the appearance of two people would tame his bad side. "Hush", however, is based on the heroic and determined Harvey Dent that we met through the "Halloween". Dent's story had a tragedy, while Hush ends with hope for him.
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The animated "Batman: Hush" understands the comic is a story of a cat and a Ridler-centric story, but forgot that it is also two person.
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