At the beginning of the episode titled "Note", Rogen Matt Remik, head of the continental study, settles with his executive team (Ike Barinholtz, Catherine Hahn and Chase Sui are wondering) of the very screening of Ron Howard's new film. It is uncharteric -nasty crime for Howard (consider opening the "paper", One of Howard's best moviesoutstretched to the length of the features) starring Anthony Mackie as a Newoufor cab driver who catches a gangster gangster played by Dave Franco. The movie, "Alphabet City", waved the executions at every turn, but only when they think Howard has stuck the landing, the film is cut into what feels like the destruction that binds the loose narrative end to the child we saw in the image with soft at the beginning. It seems good (we know how Matt feels for bookends), but then soft and the child repair in a motel, leading to a scene that inserts a narrow two -hour feature for almost three hours.

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Matt and his team are upset. Howard submitted an inflated film that exhibitors say it will cost the studio two screenings a day of multiplexes, thereby limiting her potential for the box office. But all hope is not lost. Matt reveals that Howard is still making "changes" so he has the opportunity to give the director a note that he can persuade him to reduce the motel scene. Moreover, he is Ron Howard, the most beautiful man in Hollywood. Surely, he will hear a reason (or at least take the note in step).

There is only one catch: Matt does not want to personally give him the note because, at the very beginning of his 2001 career, he attended a screening of friends and family of "nice mind", where, in front of everyone present (including Steven Soderberg and the Cohen Brothers), he said Howard revealed early in the film. Howard responded with a wickedly ridiculed Matt to the joyful satisfaction of the audience. Obviously, Matt is the only person in Hollywood to have seen the harsh side of this beloved director.

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This leads to the fact that Matt Kauardley delegates his responsibility as the head of the studio to his accusations, none of them can bring himself to submit the note. They are first frightened by the producer-Starvala Anthony Mackie unexpectedly releasing a marketing meeting, but they tighten the tail even tighter when Matt Patty's predecessor (Catherine O'Hara) reveals that the irreplaceable motel scene is a tribute to the dead. Things turn worse when Anthony Soft is entrusted to executions that he too hates the motel scene.

With the back against the Wallid, Matt must finally step up and tell the director of the Academy Award, the man who is most afraid in Hollywood, that the motel scene is not working. This is when Ron Howard goes shockingly, funny nuclear.