Among the most legendary actresses of all time, Ingrid Bergman is a big one. Bergman's career stretched over decades, and she was able to work with some of the greatest directors of all time, from Alfred Hitchcock to Michael Curtis to Leo McKer. And moreover, many of the films in her film are widely, and correctly, considered among the best English -language films that have ever been made, from "Bellevons of St. Mary's Gas" to one of the most iconic films in American and Second World War, "Casablanca". Bergman, surprisingly, was well rewarded for her huge talent and acting craft, netting three Oscars (as well as nominated four more times). That she was not nominated for "Casablanca", a film that has A. Almost-perfect result The spoiled tomatoes and left with the best Oscar image, says something about how good she is and how not every one of her performances can get the golden statuette. (If you are iousubopite, you can read Our ranking of her 15 best movies here.)

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The last time he won the Oscar, Bergman was getting older in his golden years and played roles less accustomed to leading ladies as much as the players supported. The year was 1974, in which Francis Ford Coppola also ruled the "godfather, part II" and "conversation". But Bergman won her last Oscar, and her only award for Best Actress, for a different film, returning varieties: a mysterious film with a huge ensemble of acting legends, adapted from a story by one of the most famous authors of all time and with the most famous detective. The film was "Murder of Orient Express" starring Albert Jenny as Hercule Poar, the weak created by Agatha Christie.

If you are familiar with Remake for 2017 With the same name, directed by and starring Kenneth Branag, you may have a vague closeness to the "Orient Murder Express Murder" conspiracy. It has been winter since 1935, and the cast is in the train of the same name, traveling from Istanbul to London, among the huge amount of potentially suspicious types that all become murder suspects when US businessman Samuel Rutchett (Richard Vidmark) was found dead after stabbed. As long as he is on the train to London, it is up to the lighter to figure out who and why, and to ensure that the killer is brought to justice and avoid other attacks. But resolving the murder is a greater challenge than expected, even for the legendary more, as it is becoming clear and clearer that many of the people on the train had links to the dead man, and may have wanted to see the deceased.

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Among the other passengers, there is one Colonel of the British Army (John Connery), English governor (Vanessa Redgrave), American Sociality (Lauren Bacal), Hungarian counting and his wife (Michael York and Quaklin Betet) and much more. If these names are not impressive enough, Martin Balm, Johnon Gilgood, Anthony Perkins and Wendy Hiller, are among the cast, among several others. With Sidney Lummet of "12 Angry Men" and the future best winner in the "Network" image behind the camera as a director, it is no surprise that "Orient Express killing" was a great success with critics and audiences at the time, becoming the eleventh highest film of the year in the United States. And the film received six Oscar nominations that year, including one for Feni as the best actor. But that only achieved one victory: for Bergman, who played Swedish missionary Greta Olson.

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That Bergman stands out among his peers in the "Orient of Orient Express" is just as much comment on her status as a film icon, as in her gentle and quiet performance. (Whatever else, it can't be said, it's not like she's just Icon in the film, and even the only woman to share romantic scenes in the 1940s with Humphri Bogart; Lauren Bacal also had that honor.) Olson, as well as for all the others who meet Poirot, accepts the truth about herself and her connection to the dead man and the child who was killed under her watch. The story is noticeable about her latest turnaround that includes exactly who committed the murder (and the fact that it is more than one person), but Bergman is highlighted because of her emotional but not a Hystrional performance.

How much of the victory Ingrid Bergman had in 1974 is because her performance was really the best, as opposed to Oscar -winning voters who want to celebrate the legend once again? Although Bergman would be nominated a few years later in the category of Best Actress for her work in Ingmar Bergman's "autumnal", she has already hit the sixties (and will only appear in a few films). Of course, this is not the only time when the acting legend wins an Oscar for their status in the industry, as well as the specific film. (A good example of this would be Al Pacino's first best acting victory for the "smell of a woman." "Medinel", "Medling German" in "Dangerous Saddles". This does not mean that Bergman is not very good at "Orient Express Murder", but if he did not win the part, he could go to another talented (and younger) actress.

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But Ingrid Bergman won that third Oscar and managed to do so as one of only two actors nominated in the huge cast of Sidney Lummet's adaptation to "Orient Express Murder". Although she may not be her most famous film, it has been partially in part thanks to the aforementioned Kenneth Branag remake, as well as the fact that Agatha Christie's novels containing Hercule Poor continue to be treasures of new generations of lovers of mystery. If nothing else, Bergman, who won the third Oscar, is a nice driver of an excellent career that Allowed allowed to celebrate critics, the audience and Hollywood himself.