Hercule Poar is a creature of a routine. The most famous fictional detective of Agatha Christie (except Miss Marple) is a frightening methodical in his investigations, and this personal miracle extends to everything he does. This obsession with the order or routine serves the purpose, of course. The detective eye of the Poor is so trained to recognize patterns that even most minutes of inconsistencies are highlighted. This, in combination with his stroke to solve stunning mysteries, shapes discoveries in the cases of the post, making him second to nothing. While it comes out as an eccentric in most social situations, the understanding of the more human motivations and desires guarantees that it is always one step forward. These qualities are different in Christie's "Nest of Os", a story published as Part of the collection "Early cases of Hercule Poor".

These early cases of the post offer a look at the life of a good detective before he earns internationally fame, and some of these stories are quite attractive. Case in case: the collection involves a "cornice mystery", where the lighter takes an unconventional path to resolving a mystery of murder, after he is unable to gather evidence of the perpetrator's motives. "The Nest of wasps" is also different from the standard cases of the post, as it includes dear friend, Johnon Harrison. In this short story, the more accidentally visits Harrison on the pretext that he is in the site to investigate the murder that has not yet been carried out. After exchanging pleasant products, the more inquiry about the nest of a rash nearby, and it is revealed that Harrison-Plan's Claude Langton-friendly-friendly-planning-bailed-filled-filled-filled syringe. Then, a series of strange events forcing the lighter to get involved, and to conclusion, it ends with preventing crime priority before it is too late.

Although Christie was not a fan of television as a medium for adaptation, she was personally involved in making the BBC's 1937 Television's "Nest of Osi". Unfortunately, the live broadcast of this adaptation was not recorded at any time and is now considered lost media. What happened here?

According to the edition #715 of the Radio Times (through Lost media wiki), The 1937 "Osi's Nest" was the first adaptation of Christie's source materialWith acting/stage actor Francis L. Sullivan takes over the fella of the post. Wallace Douglas, Da Clark-Smith and Antoaneta Selirier make up the rest of the cast. This announcement was followed by a summary of Sullivan's career in the theater, along with a short list of the most influential stories of Christie's detectives. This calf game was carried out and broadcast live at the Alexandra Palace (a party that was partially rented on the BBC for production and transfer in 1935) as part of the BBC's "Theater Parade", which mostly shows popular plays. "The Nest of Osi" was a clear exception, as it was not a successful game with several repeated performances, but in any case found the way to the channel's curated program.

However, live Telaplay was performed only twice on June 18, 1937: a 25-minute show at 15:35 and evening at 21:40 which lasted 20 minutes. None of these shows were filmed, which is a shame, as this is the only example in which Christie wrote the television scenario to adapt to their own work (used). The only proof of the Telaplay's existence is the above-mentioned article on Radio Times, a three-rating review in the "Navy" (who praises him as "well done"), and a photo behind Christie's scenes with Sullivan as a jury. The good news, however, is that Christie's script has survived and is still available for stage productions that want to access it.

Are there any other adaptations of the "wasps nest"? Yes! ITV's "Poor" "Agatha Christie" (which was first aired in 1989) has an episode titled "The Nest of wasps" in the third season of the show, with David Sut playing the Hercule Poor. Although this episode remains faithful to the basic premise of the story, it plays around with a series of events to establish a more coherent, exciting drama that delivers the great discovery with appropriate blooming. Director Brian Farnam fills in the gaps by injecting an added conflict or drama, which enhances the sense of mystery in this unconventional case of the more. The episode also contains a young Peter Capaldi such as Claude Langton, and every play is given well in this episode of 50 minutes.

Although the lasting loss of the 1937 calf is unfortunate, be sure to check the episodic adaptation of ITV, which is a treatment for anyone who wants mysteries and Hercule Poor.