There is a moment in the 3rd season 3 of the Reacher where the title of ex-war policeman seems to be really vulnerable in a way that he has not been in the massively popular streaming series for Prime Video. The latest season of the show is based on Jackack Ricer's best book, "Conviction", And he sees that Alan Richson's hero goes covered in the palace of businessman Zachari Beck, whose business is not at a level. There, he meets his biggest challenge - the "biggest" is the operating word.

Pauli, a 7-meter Dutch bodybuilder Olivier Richter, is the bodyguard who runs the front door at the back of the back, and he is physically frightening as they come. Hulking Henchman somehow makes the massive Richson look smallAnd during the season 3 of "Reacher", we tease the upcoming calculation between the two numbers. But at one point before the final conflict, Pauli hit the squad and sends him to the floor at a time when the typically imperceptible hero looks real shocked. It is a remarkable moment in a series that is basically built on the concept of an almost indestructible hero that lies waste on the whole of pigeons and is one of the many elements of the new episodes that makes this season different from its predecessors.

Reacher's vulnerability can be a welcome change for series fans that could be tired of Ritson's former man who send their enemies with ease. Then, again, it can upset those who fit for that reason. In any case, it seems that Richson himself is glad to see his character fights once.

Jackec Reacher's books and now streaming series are also incredibly popular, with The last breaking a huge record for the Prime Minister's rating in his third season. Both seem to have achieved their hit status with a very simple formula that revolves around a man who is simply smarter, stronger and always one step ahead of his enemies. However, for Alan Richson's starfish Starvers, it's not always the most attractive approach.

In an interview with GamesradarThe actor talked about his advantage of a little vulnerability in his action heroes. "We live in an era when there are many actors there," he said. "I will not name names, but as, there are people who simply need to be invincible in their roles. And what kind of fun for the audience?"

We all know that Richson's guy is calling here. The archetype of the impermeable action hero has been part of Chinese history for decades, but since the 1980s, they have given us the ultra-macho heroes highlighted by Sylvester Stallone and Arnold Schwarzenegger, that aspect of involuntary has reached absurd heights. Sailon J. Stallone's Rambo is a good proxy for this evolution. Starting as a tormented veterinarian from Vietnam, who refuses to kill in his first walk ("first blood" of 1982), by the end of the 1980s, Rambo became almost supernaturally untreated in the machine gun, which reduces Wallsids of the redness of blood and viscier. It's a foolish action fun, but you can get a little tiring.

In the modern era, there are actors who allegedly have contracts that prevent them from being shown as weak or ineffective in screen fighting. This made the filming "Fast and Furious" movies challenging when three of the stars - Vin Diesel, Dwayne Nsonson and Jason Stetam - they all had clauses in their contracts that meant they could not lose fight. But it is not just a contractual-enacted ads that has become a problem in making movies in action.

Action heroes like Johnon Wick continued the legacy of the overwhelmed Starvara action in the 1980s. While the first movie in the hit series of Keanu Reeves was a wonderful B-film shareholder that proved much more popular than his creators expected, as the series continued, was moving along the point of absurdity, with Reeves playing every one of the best assassins in the world. Of course, the fighting scenes and their complex choreography were often tired, but the stakes never seemed to be so serious given the seemingly invincible hero in the center of all of them. /The movie Vinnie Seibard wrote on the release of "Johnon Wick: Chapter 4" that action movies can have too much actionBut it's not just excessive action what is the problem, that's the full lack of any deposits.

With sincerity, "Reacher" often feels just like the extensions of Johnon Wick. The prison struggle in Season 1 is one of The series of best combat scenes in Reacher, And, Tony is fun to see that Alan Richson is throwing colleagues inmates for ragged dolls. But that's not all those who deal at any other level. However, Reacher's final showdown with Pauli feels like being a much more intense and engaged battle precisely because Olivier Richter's Henchmen poses a real threat to the hero.

Richson continued to tell Gamesradar how it helped to have a villain like Pauli in the Reacher Season 3. "If (REACHER) is like too much superhuman or indestructible, it won't be so fun to watch," he said. "So it's really fun to pair it with someone who asks you if he or she will live." The only question that remains now is, after Reacher inevitably finds a way to distribute Pauli, what is the show what will do next to keep us all engaged, and obviously keep Richson happy?