As long as they continue to make money, Disney will continue to look at the live remuneration of their animated classics, even if it means sacrificing their magic in the process. The whole art is subjective, which means that there is no universal truth to declare what determines "The best" or "worst" of these renamingBut I can say with the confidence that Rachel Zagler is, hands down, the best Disney princess live with action we've ever seen. Remember, I have a deep affinity for the absolutely perfect display of Lily Jamesims on Cinderella, but I also complained that she didn't have to sing "The dream is a desire that makes your heart". Meanwhile, I am far less critical of Emma Watson's Bell than most critics, mostly because Returning "Beauty and Astter" is not greatBut I can still admit that something was missing to overcome the character in the form of dirty magnetism inherent to all Disney princesses.

But Rachel Zagler? Oh, Rachel Zagler was born to play Disney Princess.

From the moment Zagle appears on the screen, it is clear that even Bob's undiscovered hairstyle cannot keep its remarkable charm, extraordinary positivity, strong will and masterful singing voice in an absolutely thrilling portrait of stone white. As a heart attack, as I should have been rejected "I wish" and "One day my prince will come," Zagler makes a meal of new music by Bend Passec and JustinAstein Paul ("The Biggest Show", "Dear Evan Hansen", "La La Land"). The large number of "waiting for desire" may sound like something that Could be slipped into the animated "Disney's desire", And as an Ariana debase in that film, her portrayal is so commander All racist criminals complain of casting zigzler They will eat a crow until their apples rot in shrinking heads.

There is only one problem: Snowy Snow White is held hostage in a film that does not deserve her talents. Jennifer Hudson in "cats" again.

Zagler's scenes with a rebel robber Athonatan (Andrew Burnap)-which is a union of the prince charming, Robin Hood and Flynn Ryder of "Teen" donated by Hudy and a jacket from Royal-Certain, but the duo is struggling with the dungeon. The duet "Hand Hand Meets" is essentially a whole song that loudly declares: "If this man has to kiss me when I sleep on the third act, I give my consent for all our friends to hear it!" The feeling is great, but it's another reminder that, How /writer of the movie Whitney Seibard noted in the review of the movieDisney's remuneration is a way to cope with the criticism online of his films. The power of the consent song was completely undermined by knowing that this was a condition for checking the field, not something authentic about the relationship Snow White and Athonatan.

But the most heated performance comes from a "miracle of a woman" Starvala Gal Gal as a wicked queen ... Or I have to say: "Card cut off from the wicked queen who has gained sensitivity and tried to imitate the first girl cut from a season of" Rupaul ". Canon, and all of them are Flamish, extravagant, fierce wild. Kabis of "Halloween", because that is a woman who knows how to serve delicious wicked ferocity in the presence of a nightmare CGI.

Stakes never feel real because nothing threatens the bastard. The worst thing about her performance is her crown of gem, while the choice to sound like a sweet ol grandmother instead of a disgusted witch for the marsh, after the wicked queen turns into an older woman (even though the villain performs magic, saying her voice would be crushed) ... And yet, because Zagle is ready to merge every last muscle in the face to bring some authentic emotions to the table, her scenes with the nast Almost work. Someone calls Zagleer chiropractor; She must be in agony after wearing this whole film on her back.

Many of the positive critical reviews of Snow White have welcomed the classic fairy tale film updates, and although it is definitely refreshing to see border communist utopia instead of the kingdom in a film made by the greatest entertainment conglomerate in existence, "Snow White" has been the biggest hits. The scattered, colorful number that introduces us to the kingdom of Snow White's parents looks almost identical to the scene of the city square on the city square "Roders and Hammerstein on Cinderella" made a movie about TVThe first encounter between Snow White and the Athonatan feels out of "even after" with Drew Barimore, the culmination of Snow White Standing to the wicked queen has "O, Captain, my captain/I am Spartak" energy, and even the aesthetics of the mining scene with the seven ...

Talking about what, the CGI's show of the seven "never called dwarfs" are not only unusual meat nightmares, but they also cannot keep up with the animated speech representations of the actors they bring to life. For example, Tutus Burgez as Bashfull knows True What the character needs, but the mouth cannot effectively match its level of animation. And yet, Rachel Zagler still makes him work. The most humanized characters that ever feel are when they communicate with her. Reflexively I climbed when he touched it for the first time (without the shadow of the voice of actor Andrew Bart Feldman, he is also innocent here) because the predictable "he found his voice" The moment felt directly from the movie "Little Dirups" when Uhhuh was a complete sentence (or when he was quiet.

I do not know what in the universe has aligned with the forcing of Zagler in roles where she has to act against people who cannot hold a candle for her (looking at you also Ansel Elgort and Zahari Levi), but she deserves a film actually worthy of her starvet power. Tragically, this is not the case.

Snow White now plays in theaters.